Hail, Caesar!

The Coen brothers have been making movies for over thirty years, making classics like Fargo, The Big Lebowski and No Country For Old Men. These movies leave you with one feeling above all; satisfied. Their latest movie, Hail, Caesar!, feels more like the fast food version of one their films, it feels good while you're watching it, but later you wonder if you really needed it after all.

Eddie Mannix (Josh Brolin) is the head of production for Capitol Pictures. He is also a 'fixer' and helps get movie stars out of sticky situations. One of these situations arises when the studio's biggest stars Baird Whitlock (George Clooney) goes missing when he is shooting a biblical epic about Jesus. Meanwhile he has to deal with an array of problems on the studio lot, including Western star Hobie Doyle (Alden Ehrenreich) moving to a more dramatic role where he clashes with director Laurence Laurentz (Ralph Fiennes) over directing choices and the pregnant actress DeeAnna Moran (Scarlett Johansson) has to search for a father for her unborn child. Floating in the background are the Thacker sisters (both played by Tilda Swinton), rival gossip columnists who are on the prowl for the latest Hollywood scoop.

Hail, Caesar! is a glowing tribute to the Golden Era of Hollywood. The Coen's parody an array of movies and stars from this period, including Kirk Douglas and Charlton Heston, costume dramas, westerns and musicals. In fact there is a fantastic extended song and dance number by Channing Tatum which is a joy to watch. The subject of communism in Hollywood is broached upon, but it is in a rather lighthearted way. The blacklisted writers are shown as diehard followers of the cause and will even help people defect to Russia. This movie is also a defence for anyone who loves cinema. The Throughout the the film, Mannix is repeatedly targeted by the jet company Lockheed, whose representative implores him to leave the movie industry behind, calling it silly and frivolous. Ultimately Mannix sticks with the industry because he loves.

Josh Brolin's Eddie Mannix is a strong central character. He embodies the no-nonsense studio exec who relies on things to run on clockwork perfectly. Brolin has enough range to do serious and character roles like this one. He isn't taking himself too seriously, which suits the role amazingly. All the characters apart from Mannix don't get too much screen time, but the actors who play them leave a mark. George Clooney who I think of as quite a strong figure in Hollywood, plays the stereotypically cowardly and bumbling movie star. Alden Ehrenreich gives a funny performance as Hobie Doyle, as he struggles to give the articulation needed for more dramatic roles. Ralph Fiennes also gives a hilarious performance as his over-the-top English director. Channing Tatum and Scarlett Johansson both have extended musical numbers in which they are great.

I did leave Hail, Caesar! feeling slightly empty, like I hadn't really taken anything away from it. But as I look back on the film, it is filled with enjoyable tidbits and cameos that will keep you enjoying it for days after.

Jupiter Ascending

Imagine if you will a crossover between Star Wars and Game of Thrones. Congratulations, you have just thought of a much more intriguing and exciting movie than Jupiter Ascending. The Wachowskis have attempted to craft an engaging sci-fi story and, while I must admit the world the movie inhabits is interesting, they lack the writing ability to make a story that is engaging or one that makes any sense.

Jupiter Jones (Mila Kunis) is an illegal Russian immigrant who lives in Chicago working for her uncle in his cleaning business. In an attempt to make some money by selling her eggs, she is almost killed by aliens (the most stereotypic aliens you can think of), but is saved by Caine Wise (Channing Tatum), a human-dog hybrid, who reveals to Jupiter that Earth was genetically seeded by a family run corporation billions of years ago. Jupiter finds out that she is actually space royalty (the highest royalty one can hope for) and is thrust into the politics of the Abrasax family, which includes Balem (Eddie Redmayne), Kalique (Tuppence Middleton) and Titus (Douglas Booth), all of whom are fighting over the ownership of Earth.

This movie's plot is all over the place and that has to do with the amount of detail which is just brushed over. We have no idea about where the space people came from (they do identify as human) or how their civilisation works. It is mentioned that the Abrasax family is one of many that inhabit the universe, but we never get a glimpse at any of these. On the upside we do get an extended montage of "space bureaucracy" that is trying so hard to remind us of Terry Gilliam's Brazil. In the hands of a much better writer, this world would be an amazing setting for a series of sci-fi novels that would be able to go into the deep detail needed for all this plot.

There is also a glaring problem with Jupiter's backstory. In the prologue, we are told that Jupiter's father was the son of the British Ambassador to Russia and her mother and father live in quite a nice apartment. But in the scene that comes after her father's death, her mother is on a container ship, being smuggled into America. So many things wrong here. Why wouldn't the father-in-law take them in? Being an ambassador is quite a revered diplomatic position and he couldn't have ensured their safe passage anywhere in the world. Even if he disowned them, Jupiter's mother had enough money to be able to get to America. Sure the prologue takes place in Soviet Russia, but the way they were living exceeded the middle class of Russia at the time.

As for the acting of this film, I don't really know what to say. All the actors do an adequate job of portraying their one-dimensional characters. Jupiter had the potential to be a strong female protagonist, but just ends up being another damsel to be saved by Channing Tatum. Now his character is just as boring. We know nothing of the science behind the character, although they mention gene-splicing more times that I care to count. And Sean Bean. Don't even get me started on him. We all know he is good for one thing and one thing only; dying. And yet they don't let him live up to his potential. What a waste.

There is hope, however. Very recent Academy Award Winner Eddie Redmayne has made some incredible, if not strange, acting choices in his career. But none have been as genius as the choices made in this film. He looked at the poorly written Balem Abrasax and his minimal screen time and wondered how could he work his magic. Well, magic is the right word for it. In each scene, he mumbles through his lines, making you lean in to grasp the nuances of his delivery of each line, before shouting at all of us the crux of each scene, which nine out of ten times is "Bring her to me!" or a variant thereof.

I really wish this was a series of books because I would enjoyed it. Too late now. The only thing saving this from a zero score is Redmayne's strange, weird performance. The only character I want to see ever again is the elephant man Nesh. If you've seen it, you'll agree with me.

Foxcatcher

I feel as though the latest run of biopic films has culminated with this film. And although Foxcatcher is a biopic that chronicles the relationship between Olympic wrestler Mark Shultz and billionaire industrialist John du Pont, I feel it also is a snapshot into the wrestling world of the late 1980s.

Mark Schultz (Channing Tatum) is trying to make ends meet speaking at schools across America, but still lives in the shadow of his older brother Dave (Mark Ruffalo). One day, Mark gets a phone call from the estate of John du Pont (Steve Carrell), the heir to the du Pont family fortune, to come and discuss leading a wrestling team that John wants to set up. Mark agrees and is hoping to win gold at the 1988 Seoul Olympics. As time progresses, du Pont's behaviour starts to display signs of madness.

This film is a marvel of direction. Bennett Miller knows how to use his actors properly and is amazing at making beautiful and evocative shots. Many times throughout the film when there is great stress happening on screen, the sound drops away to emphasise the powerful images that are being presented to us, a technique which I have always loved.

Like American Sniper, Foxcatcher is a patriotic film. This patriotism, however, is laced with a certain cynicism, with du Pont manipulating other people's sense of nationalism to his own ends. The film also gives a more detailed look into competitive wrestling than I have witnessed before. Since I only learn about the world through movies, my only real exposure had been through scenes in The World According to Garp or Born On the Fourth of July, but here I was exposed to the raw physicality of the sport. There is a jaw dropping scene at the beginning of the film where Tatum and Ruffalo are training together and you can sense the unspoken power struggle between the two. 

This film has some truly transformative performances. Channing Tatum's Mark Schultz isn't the brightest human around and Tatum somehow makes the guy endearing, despite the fact that the character can be slightly one-dimensional at times. Carrell is engaging as du Pont and the movie really shows how charming he was. I was a bit disappointed that Miller didn't make it as clear that he was a paranoid schizophrenic, but Carrell does portray the creepiness to his character well. Mark Ruffalo gives probably my favourite performance of the whole movie as Dave and he really does show how versatile an actor he is here.

Overall, Foxcatcher is a superb movie that despite having some minor problems, I felt that Vanessa Redgrave and Sienna Miller's characters could have been used and explored more and the ending is a tiny bit historically inaccurate, but that's okay given the run time of the film, it is definitely a movie people should watch.

New trailer for 'Foxcatcher'

Just released is the haunting new trailer for Foxcatcher, which is due out at the end of the year.It is the story of Olympic wrestling champion Mark Schultz and how his paranoid schizophrenic sponsor, John Du Pont, killed his brother. A very intense Channing Tatum plays Mark Schultz and looks like he'll give a career topping performance. Steve Carrell also appears in heavy make up as the chilling Du Pont. This trailer sent shivers down my spine and I can't wait till it's release.

22 Jump Street

So since neither Edward nor I could decide who would review this movie, you're all gonna get a weird (dis)joint(ed) review. So let's get to it.

Edward:

Having first seen 21 Jump Street when I was in high school, it was filled with plenty of jokes that I could relate to. Yet whilst it was funny enough, it always seemed like it was lacking direction in some areas, and I felt that much of the humour needed more of a setup. Now, as I’ve moved on to University, the boys are back and are going to college, with the (self-aware) sequel 22 Jump Street.

The new action packed installment picks up the pace a lot more, and overall I found the jokes quite a bit funnier than they were in the first. Whilst there’s still plenty of the “Suck my d*ck! No you suck my d*ck!!” sort of humor that dominated the original, it feels much more natural and flowing this time around, probably due to the vastly improved screenplay.

The film is also hilariously self-reflexive, taking satirical jabs at Hollywood’s obsession with sequels as we see the 23 Jump Street condominiums under construction, as well as the nature of the industry in general. There are also the absolutely hilarious credits - honestly one of the best parts of the movie - that I urge you to stay for, as they will certainly expel any worries you may have about the direction that this franchise is going in.

The action sequences are not over the top but definitely won’t disappoint, with plenty of eye-candy courtesy of explosions and slow-motion sequences. The acting is also spot on for this sort of comedy, with both Jonah Hill and Channing Tatum just as good as they were in the first and with a great supporting cast.

Verdict: Overall, 22 Jump Street stands up strong and is quite an improvement over it’s younger sibling.  If you enjoyed the first, you’ll be laughing all the way through this one!   

Jack:

Unlike 21 Jump Street, 22 knows it is a TV show spinoff (it also knows it a sequel but hopefully Edward's already written about that). We even get a previously on Jump Street recap, as if this is just another episode of a sitcom version of the original show.

This movie also has a bunch of references to other 80s TV shows and movies, such as The Golden Girls (which if you know the reference when it comes is hilarious) and Top Gun. These references are hilarious, but then again most of the film is funny. Schmidt and Jenko's bromance escalates to a homoerotic level that guarantees even more laughs.

This movie made me laugh so much that Edward must have regretted seeing it with me. The jokes were fast flowing and weren't too stale. However, the majority of the audience must have been a lot younger than us because I don't think they got a lot of the jokes, especially when the references are aimed at an older audience (like a superb Straight Outta Compton joke directed at Ice Cube).

Speaking of Cube, there is a lot more of him in this movie. And he is even funnier than he was in the first movie. His chemistry with both Tatum and Hill is fantastic and you tell they all had a really fun time making the movie. Especially Channing Tatum. He bounces around the screen like an actual teenager with a lot of glee.

The other standout performance comes from newcomer (to the franchise) Jillian Bell (Workaholics). If you are at all a fan of the aforementioned Workaholics, you'll especially like her character because she is just a slightly more unstable and violent version of Jillian on the show.

Verdict: A great sequel that is terribly self aware and just a pleasure to watch.

The Lego Movie

The Lego Movie takes the family film to a whole new level. Not only is it fantastically self-aware and satirical, it has jokes that will please the whole family. Back this up with a huge and amazing cast, as well as a great soundtrack by Devo's Mark Mothersbaugh with songs that will get stuck in your head long after you finish watching.

The story centres on Emmet (Chris Pratt), a regular construction worker who loves to fit in and follow the rules. One day after his shift finishes, Emmet gets entangled in a plot to destroy the world by the evil villain and president Lord Business (Will Ferrell), who plans to use a relic known as Kragle (which turns out to be Krazy Glue missing some letters). Emmet is mistaken to be the Special and taken by Wyldstyle (Elizabeth Banks) to the blind wizard Vitruvius (Morgan Freeman), who tells Emmet that he is the chosen one to take down Lord Business.

The best jokes in this film come mainly from the movie's characters self awareness that they live in a world made of Lego. Emmet cannot build things without an instruction manual of which there are several big ones in the construction yard (the kind that come with all Lego sets). There are also references to many famous Lego sets of the past 40 years, including the famous Classic Space line of the early 80s.

Also there are a great number of parodical and satirical jokes. Some of these are references to real first world problems (# not included) such as exorbitant prices for cups of coffee. Others are very funny in-jokes aimed at the film industry, such as the relationship between Superman, voiced by Channing Tatum, and Green Lantern, voiced by Jonah Hill (both Tatum and Hill starred in 21 Jump Street).

There are also a great number of cameos aside from the two aforementioned. These include Shaquille O'Neal, Will Forte, Liam Neeson, Will Arnett as Batman and one of my favourite actors (if you read my blog regularly, you'll be well acquainted with my affinity for) Charlie Day.

The animation in the film is also amazing. It is done in a way that looks like it is stop-motion capturing whilst still being computer generated. Apart from some real objects that appear in the film, everything is made of actual Lego pieces that come in the sets. Toward the end of the film there are some life action scenes that work really well and don't interrupt the flow when they cut back to the animation.

Verdict: A really funny and smart film that will appeal to everyone.

This Is The End

I'm going to come straight out and say that this is probably one of the funniest movies I've seen this year. I was going into it thinking that the reunions of Freaks and Geeks and Superbad had joined for a massive after party, but I was wrong.

Jay (Jay Baruchel) is visiting Seth (Seth Rogen) from Canada. After a day of playing video games and smoking weed, Seth suggests that they go to a party that James (James Franco) is putting on. At the party, Jay becomes gradually disconnected with the partygoers and leaves to buy cigarettes. He is joined by Seth. At the shop that they go to, people at the shop are sucked up by blue beams of light. This is the beginning of the apocalypse foretold in the Bible. What follows is the rest of the predictions made in the Bible.

The rest of the group who survive the initial trouble include Craig (Craig Robinson), Jonah (Jonah Hill) and Danny (Danny McBride). This group all have an amazing chemistry and even though I know that they were all playing fictionalised versions of themselves, it was really hard to tell where the characters and real people separated. There are also an huge number of cameos, including a hilarious scene with Channing Tatum and the Backstreet Boys performing their seminal classic (Backstreet's Back, in case you need a reminder).

I was also surprised by the special effects in this movie. There seems to be a large amount of practical effects, instead of the usual reliance on CGI. I was especially impressed with the hell beasts that are featured toward the end. They are all clay stop motion figures that were inserted into the film. Very cool.

Verdict: One of the funniest movies I've seen in a long long time. The only thing that might usurp this title is the upcoming comedy The Way Way Back. One quick reminder that it probably is one of the grossest gross-out comedies in a while, but it has a strangely uplifting message.