Showing posts with label Maya Rudolph. Show all posts
Showing posts with label Maya Rudolph. Show all posts

Friday, 8 January 2016

Sisters

On the surface, Sisters may seem like a basic and sometimes crass comedy and you know what? It is. But it has something that most generic gross-out comedies don't have, two of the funniest women ever in it. Tina Fey and Amy Poehler reunite on screen for the first time since 2008's Baby Mama and it is well worth the wait.

Maura (Amy Poehler) has been told by her parents Bucky and Deana (James Brolin and Dianne Wiest) that they are selling their house that she grew up in and that she and her sister Kate (Tina Fey) need to come and clear out the bedrooms they haven't lived in since they were teenagers. They want Maura to tell her sister because they are scared of how she would react. Kate meanwhile is struggling to keep a job and keep in contact with her daughter Haley (Madison Davenport) when she is lured down to Orlando by Maura. When Kate finds out the house is being sold she convinces Maura to have a big party there like they used to have when they were teenagers. Kate also convinces her to invite James (Ike Barinholtz), their cute neighbour from down the street.

This movie is really dominated by the comedy chops of both Fey and Poehler, leaving little room for the overall message of the film, something about how family is a feeling rather than a physical thing. The much bigger theme that I got out of this movie was have fun while you're young because there's a point where you get to when adult parties just become sitting around talking to each other. Unless that is your party is attending by a whole bunch of Korean partygirls and one big buff drug dealer. All of the jokes in the movie revolve around this or the fact that Maura and Kate are still living in their teen years of the 80s.

As I said, both Fey and Poehler are understandably fantastic, but what I was surprised at was the role reversal that they went through. For years I have seen Tina Fey as the voice of reason between the two because of roles like Liz Lemon in 30 Rock, but now Poehler is the responsible? It's a change I loved. Ike Barinholtz is lovably goofy as James and gets into a very uncomfortable situation and Maya Rudolph as super bitchy Brinda is hilarious. The stars of the supporting cast that stuck out for me were John Cena who was a lot funnier than his role in Trainwreck and Bobby Moynihan and Greta Lee make a great unlikely couple.


If you're a fan of both Fey and Poehler and want to see them reunite like I do then this movie is for you. If you're not then the take home message might not be enough to get you through it.


Sunday, 15 March 2015

Inherent Vice


Reading Thomas Pynchon's 2009 novel before seeing this film really gave me a better understanding of the forces that are in play in the story. That doesn't mean that Paul Thomas Anderson's latest undertaking is at all confusing, rather it is a much more streamlined comprehensible adaptation of the novel that cuts through a lot of confusing tangents that are cut straight from a drugged up hippie's head.

Doc Sportello (Joaquin Phoenix) is a private investigator operating out of Gordita Beach in LA. One night, his ex-girlfriend Shasta (Katherine Waterston) appears out of nowhere to tell him of a plot to kidnap her current boyfriend, millionaire real estate developer Mickey Wolfmann (Eric Roberts). Doc is soon drawn into a complex web of conspiracies that involve a supposedly dead saxophone player Coy Harlingen (Owen Wilson), a rough police lieutenant Bigfoot Bjornsen (Josh Brolin) and the mysterious Golden Fang.

Paul Thomas Anderson is really a master with his camera work and all his usuals come into play. He is not one to shy away from long shots, but the one in this one is different. Normally his long takes rely on big choreographed movements as the camera flows from room to room and follows various characters. In Inherent Vice, he instead has a quite static long take that includes an eight minute monologue from Katherine Waterston that ends a little abruptly. There is one scene that stood out for me in particular that was a dialogue between Doc and a client that is done entirely in low angle close-ups with no establishing shot.

This film is littered with some great comedic moments, whether this be Doc's propensity to throw himself around like a rag doll or the fact that Denis (pronounced Dee-nis) can't drive. Being set in the early 70s, there are a lot of jokes about hippie culture and paranoia. Martin Short's dentist character Dr Rudy Blatnoyd is great fun for this, as he openly condemns hippies whilst partaking in illicit substances at the same time and getting everybody paranoid in the process.

Joaquin Phoenix is super fun as Doc. He seems to be channeling the character from the book with a dash of The Dude thrown for good measure. His love for Shasta knows no bounds, despite it being a very destructive relationship. Johanna Newsom plays his spirit guide Sortilège, although it's not quite clear if she exists in the physical world. Josh Brolin gives incredible depth to Bigfoot, a scary pancake loving giant. Owen Wilson acts as the whole lynchpin to the story and has an immense presence, despite appearing in a handful of scenes. Katherine Waterston is just amazing as Shasta and you will grow to love her as Doc does. I think everyone will agree that the movie does need more Benecio Del Toro, playing Doc's attorney Sauncho Smilax, Esq., and a crazy Eric Roberts whose couple of mumbled lines are just hilarious.

This hippy comedy/mystery is masterfully shot and acted. Anderson has been faithful to the source material and made what I like to call a pure adaptation; capturing the essence of the source without using everything that is there. Some great acting all round, particularly from Phoenix and Brolin. Beware the Golden Fang.

Tuesday, 6 August 2013

The Way, Way Back

I'm just going to get straight to the point, this is one of the best films I've ever seen. I'm going to have to go back and amend my top ten list. Written and directed by Academy Award winners Jim Rash and Nat Faxon (Best Adapted Screenplay for The Descendants, 2011), it is probably the best comedy that I have ever seen.

14-year-old Duncan (Liam James) is on summer holiday to his mother's boyfriend's, Trent (Steve Carell), beach house in a sleepy East Coast town. His mother, Pam (Toni Collette), is hoping that the two bond over the summer. Duncan soon becomes frustrated with Trent's cold attitude towards him and adventures to the nearby water park. He is offered a job by the owner, Owen (Sam Rockwell), and soon becomes the hero of the staff.

Duncan has a budding relationship with his neighbour, Susanna (AnnaSophia Robb), whilst his mother's relationship is slowly fading.

This film is an excellent example of character driven comedy. All the characters are fully formed and lead the story in their own ways. Both Faxon (Freeloaders) and Rash (Community) are master writers and although I haven't seen The Descendants I can see that they are great writers, as well as directors. They also play two of the water park's employees and prove that they can achieve a high level of excellence in all fields.

The cast of this movie is amazing. Liam James is a newcomer to main roles in film, but carries the role amazingly. He plays his character so amazingly and the development that he goes through is out in front and fantastic. I expect that we'll be seeing a lot more of him.

Steve Carell (Anchorman) plays against type and goes for a serious role this time. He is entirely believable as the douchebag boyfriend and from the opening scene onward you will hate him. And that's the mark of a fantastic actor.

AnnaSophia Robb (Soul Surfer) is incredible as the girl next door and does play the character in the stereotypical way. Likewise, Sam Rockwell (Moon) is uplifting as Owen and you can really see the connection that he has with Duncan.

I laughed the hardest at Allison Janney (the mum from Juno), who plays Susanna's mother. She is perpetually drunk and is constantly saying inappropriate things to her friends and even her own children, but I can see her as a good mother.

Verdict: A perfect movie. I saw it with a large, varied group and everyone loved it. I would highly recommend it to anyone who loves movies and it has a great uplifting message.

Jasper Roberts Consulting - Widget