A Most Violent Year

This film has a most misleading title. There is very little violence and it doesn't take place over a year. But J.C. Chandor's latest film is a tense and enthralling film about a legitimate businessman who is trying to make a life in a business that is full of crooks.

The film is set in the industrial areas of New York in 1981. Abel Morales (Oscar Isaac) owns a heating oil company and is looking to expand his business so that he is able to ship the oil straight to his warehouses instead of buying them through a middleman. Lately his company has been plagued by the hijacking of his trucks and he thinks it is his competitors, all of whom run less than legitimate business. Despite urging from his wife Anna (Jessica Chastain), Abel refuses to retaliate through violent means. This is due to his company being investigated by Assistant District Attorney Lawrence (David Oyelowo).

Writer/director Chandor has truly proven himself with this film. His previous two films Margin Call (a film about the 24 hours leading up to the Global Financial Crisis) and All Is Lost (a film starring only Robert Redford, who plays a man lost at sea) were both critically acclaimed but didn't get wide recognition from the public due to their esoteric nature. A Most Violent Year follows in this ambiguity and as such might see the same scorn from general audiences. However, this film is masterfully written and delivers on so many levels. The film doesn't lay all its cards on the table on the table from the outset, instead choosing to reveal backstory as it becomes relevant. It becomes apparent that Abel does not hold any criminal ties, despite the vibe that he does. Instead the real power is held by his wife Anna, who you see holds more power than he does.

The film has some very tense scenes which culminate in extremely violent actions, but they come from people who you least expect and are intended upon the unexpected, which really throws you on the back foot. As soon as I realised that this wasn't a straightforward crime drama, I was kept guessing as to what would happen. The whole time you are hoping that Abel comes through the events using his legitimate means.

The film is superbly shot by cinematographer Bradford Young and really captures the feel and look of New York in 1981. The production design is also remarkable. Anna's dresses are all vintage Armani, the cars are all of the era with late 70s Lincolns and the skyline of New York is transformed to be identical of how it was in 81. Alex Ebert's score is rousing and punctuates the tension that is rippling throughout the film.

For me, Oscar Isaac seems to be getting better and better with each film I see him in. Here, you can see the immensely frustrated businessman, with pressure coming at him from all angles. His performance is perfectly revealing and shows Abel's weaknesses as the film progresses. Jessica Chastain's character is likewise revealing and slowly becomes a terrifying character as you discover what she is capable of. David Oyelowo is just a superb chameleon and is fantastic at wholly becoming each character he plays. Albert Brooks is amazing as Abel's lawyer and Elyes Gabel is fantastic as one of the drivers who is constantly getting hijacked.

J.C. Chandor's A Most Violent Year may not be as exciting for some people due to its misleading title, but it ends up being a scary and tense film about a man who just wants to take the most right path in life.

Selma

Ava DuVernay's latest film Selma is probably one of the best movies about the Civil Rights movement of the 60s and probably the most honest in its portrayal of the brutality suffered by African-Americans in the South at this time. It also shows the outright racism that was accepted at the time and even leaders like Governor George Wallace doing nothing to stop it.

After receiving the Nobel Peace Prize, Dr. Martin Luther King Jr. (David Oyelowo) returns to his home in Atlanta, Georgia to find the next step in his Civil Rights movement. He finds it in the town of Selma in Alabama, where black people are still unable to register to vote, despite legally being able to. King is joined by fellow members of the Southern Christian Leadership Conference (SCLC) to tackle this issue. Meanwhile, President Lyndon B. Johnson (Tom Wilkinson) is nervous about about the tension King being in Alabama is having with racist governor George Wallace (Tim Roth). King and his followers eventually decide to walk from Selma to Montgomery as a peaceful protest.

DuVernay's film is masterfully created and captures the feeling of the time perfectly. Martin Luther King is such an important figure of the twentieth century and it's movies like this one that help expose certain parts of history to mainstream audiences. One problem I do have (and it's only minor), is that the film overuses brutal violence to get it's point across. Whilst it's not absolutely excessive I felt like you could maybe cut out one or two scenes of this and still get the point across about how terrifying it was to live as a black person during these times.

This movie has a huge cast and all of the performances are so amazing. David Oyelowo is so amazing as King that I forgot about all other movies he had been in and could only focus on him. It is so disappointing that he is not up for Best Actor for this movie because I would have chosen him in an instant. While President Johnson's portrayal is slightly inaccurate (he championed the Civil Rights movement and was not against it), Wilkinson brings his talents to the fore and is wonderfully followed round by Giovanni Ribisi.

Carmen Ojogo is superb as King's weary wife and Oprah Winfrey makes a superb cameo as a woman who just wants to vote and demonstrates a mean right hook. Tim Roth made my skin absolutely crawl as George Wallace, but also backs up his ability as a great dramatic actor. Stephen Root is just as despicable as Major Al Lingo who orchestrated some of the more brutal attacks on the peaceful protestors.

Selma is deserving of all the praise it has received. It isn't just an affirmative action film because it justifies the reasons for the Civil Rights movement. Ava DuVernay and David Oyelowo make a superb team and are supported by a fantastic cast.

The Paperboy

Lee Daniels' follow up to his heart-wrenching Precious is set in the south of Florida in the late 60s, during the time of the Civil Rights movement. Whilst civil rights is not the main theme, they do provide a great background to the motivations of some of the film's characters.

The Paperboy follows idealistic writer Ward Jansen (Matthew McConaughey) and his younger brother Jack (Zac Efron) as they try to clear a man who they believe was wrongly convicted of murder. Helping them are Ward's writing partner Yardley Acheman (David Oyelowo), a black British writer, and Charlotte Bless (Nicole Kidman), a woman who writes love letters to convicts. The brothers' father (Scott Glen) is the distributor of the Miami Times in their small town.

The group meet with the suspected killer, Hillary Van Wetter (John Cusack), who seems indifferent to the fact that he is on death row, but maintains his innocence. Ward follows up on every single lead but can't seem to find any solid evidence to say that Van Wetter didn't commit the crime. Regardless of this, Yardley returns to Miami and runs the story in the Times. Van Wetter is let free from prison where he reconnects with Charlotte. Ward, who was mutilated by two sadistic men, and Jack are left to their own devices.

Daniels' does his best with a well-rounded cast. McConaghey shines as Ward Jansen and it is good to see him using his southern accent to use. Efron has come a far way from his High School Musical days and gives Jack a confused vulnerability that really works. The main star of this film, however, is Nicole Kidman. She really showcase her range as an actor. Her scenes with Cusack are, while disturbing, are amazing.

John Cusack has long been a favourite of mine and I was excited to see him in this. His portrayal of the villainous Van Wetter is as amazing as it is haunting. You could really believe that he is a murderous psychopath. This is the third film of the year that I have seen David Oyelowo in (the other two being Jack Reacher and Lincoln) and I have to say that he's growing on me. In each of these movies, he plays vastly different characters and I'm looking forward to seeing him in future projects.

Daniels shot this film in 16mm film and it really works. It suits the time period and the occasional blowout of light makes it look fantastic and real (as well as raw). It was a bold choice choosing this format and really pays off.

The soundtrack of this film is also superb. The use of contemporary soul and R&B music really lent to both the time period and setting.

Verdict: Although the story can be a little lacking at times, the drawcard here are the performances, especially from Nicole Kidman.

Jack Reacher

Jack Reacher. My first movie of the new year. At the moment all I can say about it is that it was interesting. Having never read any of the books that the character is from, I didn't really have any frame of reference. I saw this movie with my uncle who is the total opposite and has read every one of the titular character's books.

I guess the first thing I should talk about is Tom Cruise. I myself have never been opposed to the man, in fact I find him to be an excellent actor. I know it's going back a few years, but his turn in Rain Man was really good and very emotionally driven. In many of his film roles since, I've found him to be quite adventurous in the roles that he picks. So in this film, I went in expecting a usual Tom Cruise experience and I wasn't disappointed.

Before I go on to the other cast members, I guess I should talk a little about the plot. The film opens to a   sniper opening fire on a street full of civilians in Pittsburgh, which I recognised from the "amazing" Taylor Lautner action flick Abduction, which is great if you want a snooze. I found this scene to be quite emotionally jarring, as you see the people running from the gunfire to no avail. The gunman then gets caught and instead of confessing his crime he asks the DA and leading detective to get Jack Reacher, who we find out is a ghost who doesn't want to be found (but at the same time comes out of hiding as this happens). As a result of the negligence of the DA, played by the masterful Richard Jenkins, the gunman ends up in a coma. Now it's up to Jack Reacher to seemingly solve the crime and keep the gunman of death row.

Now on to the casting. As I said, Tom Cruise is a great actor and when he is on screen he can do no wrong in my eyes, but I remember prior to this movie coming out, fans were up in arms about this casting. Now it's no secret that Tom Cruise is the tallest guy in Hollywood, but he isn't the shortest (that honour goes to Danny DeVito) and apparently the character is 6'7". But by using movie magic, you wouldn't be able to tell otherwise. Techniques such as not having anyone else in the frame with your actor work, as well as shooting from a low angle or having him sit down also work as well. There is only one scene where he stands in the middle of a group of people, in which the apple box would have been used.

The rest of the cast is also superb. Richard Jenkins as the DA was an excellent choice. The only other movie I have seen with him in was the Cabin in the Woods, which we all know was a horror masterpiece. Rosamund Pike, who plays the defence attorney of the gunman and Richard Jenkins' daughter, was spectacular. She was gracefully subtle, but I do find that she always has a look of surprise on her face.

David Oyelowo was captivating as the detective who is trying to chase down Reacher, as is Aussie Jai Courtney, who plays the sniper trying to get rid of Reacher for the bad guys. A couple of cameos by Robert Duvall and Werner Herzog were also surprising.

The action set pieces in this film are good, but not the best for a film of this genre. The one piece that I did like was a car chase through the streets of Pittsburgh. I've always had the utmost respect for stunt drivers and I know how difficult their job can be at times. This one had a lot of crashes because apparently Reacher is the best driver in the world.

The cinematography in this film was stunning and there was an angle in the aforementioned chase sequence where a camera was on the hood of the car shooting the reaction of the driver as well as the vehicles behind. There was some issues with the sound mix that I picked up on, but nothing to noticeable. I also found the second act to drag on just a bit too long.

Verdict: The action set pieces are amazing and it had an intriguing story. Visually it was amazing and it had some good casting choices.