Gold

This review is going to venture into spoiler territory. I really tried not to, but a lot of Matthew McConaughey's good acting comes into play about ten minutes from the end of the film.

Matthew McConaughey has had a good run over the last five years. He has successfully rebranded himself as a serious actor who is able to handle fare that is outside the surf-rom-com flicks that made him famous. Because of this turnaround, I think that there is a lot of unwarranted pressure for every performance he gives to be bigger and better than the last. While the performance in Gold isn't his best, the character he plays is very captivating and surprisingly original (only partly original, but I'll get to that).

Kenny Wells (McConaughey) is an unlucky businessman whose family has been in the prospecting business for four generations. After his family business fails, he finds himself working out of a small bar in Reno, Nevada, trying to get backers on potential mining claims with little to no assurance that the sites he has chosen have any real mineral deposits. One night, he has a drunken dream about a geologist he once met and a potential claim in Indonesia. Pawning all the gold he has, Wells hopes on a plane to Indonesia to hunt down Michael Acosta (Édgar Ramírez), the geologist from his dream. Together they journey into the jungles of Borneo and and stumble across the biggest gold find of the decade.

It really made me happy that Gold was pretty original. While it is based on an actual tale that happened in Indonesia in the early 90s, only key elements are really taken from that and even then things have been changed. The first half of the movie is definitely the strongest part. It is a fun jungle adventure with hints of Apocalypse Now, Indiana Jones and Jurassic Park. It is as if director plucked the essence of the jungle scenes that appear in those movies and used it to lay a familiar setting that we can feel comfortable with. The other good part comes at the end of the film, where it turns out that there was no gold claim at all and Acosta just faked the fact that there was a deposit where he said there was. He did this through a con called salting (it's pretty cool). Not only is this twist and the end of the film pretty awesome (the whole time we're assured that there is gold), but McConaughey is amazing as a man who has just been betrayed by someone who he thought was his best friend. The movie starts out with what we think is narration by Wells, but we learn at the end is actually an FBI interview to see if he is guilty of fraud.

Gold really struggles during the middle and lead up to the twist reveal. It switches from not quite adventure movie to slow business drama. There's a lot of talking about who to sell the gold to and people taking advantage of Wells. It becomes really quite boring. There is an imitation of The Wolf of Wall Street as we see Wells claw his way back to the top, but we've seen that in countless movies before and since then and this doesn't add anything new. There are countless supporting characters who get lost in the mix and it's quite disappointing considering the fact that they are played by well known actors like Stacy Keach and Corey Stoll. These actors are wasted talents in this movie, especially Bruce Greenwood, who at least tries to stick out with a decent South African accent, but is hampered by having only three scenes in the movie. I will praise Toby Kebbell however, for his tiny role as the sympathetic FBI agent.

While Gold has some good elements, it focuses on all the boring parts of the story. The relationship between Wells and Acosta gets buried by focusing too much on the business side of things, which while helpful in setting up the twist, is a tiring time to get through. Stellar performances from the three leads (McConaughey, Howard, Ramírez) are cancelled out by the many mediocre ones.

Classic Movie Review: Bernie (2011)

Director Richard Linklater is known for making films whose production and style have pushed the boundary in terms of the filmmaking process. His first film Slacker was the day in the life of a city, choosing not to focus on any story or characters. His latest film Boyhood was a triumph that took twelve years to make. However, this gem from 2011 is undoubtedly his best film.

Bernie Tiede (Jack Black) is the local assistant funeral director in the town of Carthage, Texas. He is extremely well liked by the whole community and tries his best to please everyone. After the death of her husband, Bernie meets Marjorie Nugent (Shirley MacLaine), who is despised by everyone in the town for her horrible demeanour. But Bernie takes a liking to Majrorie, although she begins to get under his skin too, and he murders her. After a while District Attorney Danny Buck Davidson (Matthew McConaughey) begins to suspect foul play and looks into Marjorie's disappearance.

What makes this movie so striking is the style in which it is delivered. The film is set up as mockumentary with interviews from the townfolk about the relationship between Bernie and Marjorie. This makes the movie fun and lighthearted as they each give their two cents. That is until you learn that this movie is not at all a fictional story, but is indeed based on the true muder of Nugent in 1996 at the hands of Tiede. And some of the townsfolk being interviewed in the film are actual townsfolk who knew the couple. This then turns the film into quite a black tragicomedy, as these people aren't talking about the Jack Black/Shirley MacLaine versions of the characters but the actual people who existed.

The reason that this movie is so funny instead of being an extremely sad and sobering film is due to Jack Black's extremely understated performance. This isn't his stereotypical stoner that we've seen throughout the majority of his career (High Fidelity, School of Rock, Tenacious D), but a rather downplayed, incredibly effeminate man. The laughs come more from Black's incredibly different performance than what we are used to.

Shirley MacLaine's Nugent is a truly horrible person, but somehow I couldn't help liking her at some parts of this film, but maybe that's just because I am a fan of her regardless. Matthew McConaughey is hilarious as the cowboy DA and I feel like it is his character Wooderson from Dazed & Confused grew up and sorted out his life (this would actually really work as a fan theory because the timelines and locations match up perfectly). The supporting cast of Brady Coleman, Richard Robichaux and Rick Dial give the film authenticity. Also McConaughey's mum Kay has a splendid little role and you surely won't miss her.

This movie is a tight little package that is quite fun and refreshing and I'm sure would have been a fun little project for Linklater in between his bigger ones. The closing video of Jack Black talking to and being enthralled by the real Tiede is a fantastic little touch.

Interstellar

I have to hand it to Christopher Nolan, time and time again he takes on diverse and interesting projects and makes them his own, especially when scripting with his brother, Jonathan. Their latest endeavour, Interstellar sees the siblings flex their creative muscles, and certainly stretches far beyond the reach of its trailer.

In a grim future, where blight and famine have pushed humanity to the breaking point, Cooper (Matthew McConaughey) is a former pilot and engineer that now works as a corn-farmer, one of the few crops that still grows. His son, Tom (Timothée Chalamet) has been assigned a future in farming and his daughter, Murph (Mackenzie Foy) is adventurous, yet stubborn. After investigating an anomaly which provides a message, that Cooper interprets as co-ordinates, he and Murph go to investigate.

What they discover is a secret project run by what is left of NASA, led by Cooper's old mentor Dr. Brand (Michael Caine). They aim to send a crew through a wormhole near Saturn, in the hopes of discovering an inhabitable planet that would serve as a new home for the human race, as their old one is slowly dying. Cooper joins the crew - against the wishes of Murph - along with Brand's daughter, Amelia (Anne Hathaway), Romilly (David Gyasi) and Doyle (Wes Bentley). The mission will be perilous and with no knowledge when and if they will return, Cooper hopes that he will both be able to save his family, as well as return to see them again.

As with most of Nolan's films, Interstellar will likely require multiple viewings to fully comprehend. It explores, not just the wonder of space travel, but the perils of venturing into the ominous darkness of the unknown. I found that the whole post-apocalyptic scenario where our future as a civilisation rests somewhere in the stars, made for a truly thought-provoking and surprisingly emotional narrative. Yes, some of the intimacy is lost in the vastness of the cosmos, but the noble sacrifices of the crew can be incredibly poignant, especially during the low times, when they just want to go home. Some will find Interstellar quite fantastical, but in many ways, that's what lies at the heart of a great Sci-Fi film, and here with the familiar thematic use of time weaving into the complex and generally intriguing story, it proves a much more compelling tale than Gravity, which I personally found a bit average. At nearly three hours though, it could possibly have done without some scenes, especially at the beginning, though it manages to cover a spectacular amount of material in the time that its given.

 Matthew McConaughey is undoubtedly a talented actor, yet after his string of appearances around the last awards season, on top of True Detective, I walked into this fully expecting to be sick of him by now. Though this was definitely not the case. He brings the vehemence and humanity to the screen that this role really requires. Both Hathaway and Jessica Chastain of Zero Dark Thirty fame, also provide very strong performances, but for me it was Mackenzie Foy who really shined and showed incredible promise for a young actor. All the main roles are certainly helped along by a strong supporting cast, including Casey Affleck, John Lithgow, Matt Damon, and Michael Caine (It wouldn't be a Christopher Nolan film without Michael Caine am I right?).

I'm sorry to constantly rattle on about 2001: A Space Odyssey on this blog, but Nolan has undeniably gained influence from the classic here. From the simplistic yet hyper-real visuals, the eerie moments of silence, uses of classical music, even down to the design of some of the spaceships. Hoyte van Hoytema (Tinker Tailor Soldier Spy, Her) was cinematographer here, and he has certainly done a stellar job, thanks in part to Nolan's love affair with IMAX cameras. The special effects are low-key but nothing short of stunning, and during the tense scenes, the outstanding sound design had me on the edge of my seat. Also the robots that support the crew are simultaneously one of the coolest and wackiest designs I've yet encountered in a Sci-Fi film.

Interstellar is likely to divide audiences at the cinema, just as most thought-provoking films do. Indeed I feel its difficult to properly judge it with just one viewing. But despite some plot issues, Nolan has once again created a captivating piece that is full of action, adventure and emotion. It's a visceral experience.

True Detective Season 2 has cast its leads

Okay so I know I'm breaking the rules with bringing you all TV news, but such is the quality of HBO's anthology series True Detective that I feel I have to report on this. An official casting announcement has been made by HBO as to the leads of the new season.

Harrelson and McConaughey

Colin Farrell and Vince Vaughn have been cast both as 'a compromised detective whose allegiances are torn' and 'a career criminal who is in danger of losing his empire', respectively. From the sound of these characters I'm a bit worried that this feels like a departure from what made the first season so good. But then again, I will probably be completely wrong.

I'm not going to say that Vaughn and Farrell are replacing Matthew McConaughey and Woody Harrelson as most news sites will tell you, but rather that this series focuses on a particular story each season. I think that is what was so appealing about the first season, because people liked the self-contained story.

No word yet on when it will air.

Dallas Buyers Club

Lately Matthew McConaughey has really shown that he is the serious actor that he has always been. After a breakout role in Richard Linklater's Dazed and Confused, he took on a lot less challenging roles in rom-coms like Fool's Gold, How To Lose a Guy In 10 Days and The Wedding Planner. But over the last few years he is starring in more serious films that showcase his fantastic acting ability. Dallas Buyers Club may be his best ever.

Ron Woodroof (McConaughey) is a homophobic electrician and rodeo cowboy. After a work accident, Ron wakes up in hospital to discover that he is HIV positive and is given only thirty days to live by his doctors. Initially in denial about his condition, Ron soon accepts his fate and begins looking at medicines that can help. After running out of a trial medication, he travels to Mexico to find a doctor who has some medication. The doctor puts him onto a new medication which Ron decides to start selling in the US. In hospital, Ron meets Rayon (Jared Leto), a transgender woman, and the two start doing business together.

McCaonaughey gives a captivating performance as Woodroof. His magnetic acting skills give Woodroof a deep and meaningful character. One scene, where Ron realises how he managed to contract the virus is a true testament to his skill, not to mention his huge weight loss which really showed his dedication to the role.

Jared Leto's return to the screen is with a mesmerising performance as Rayon. This is Leto's first role since the sci-fi flick Mr. Nobody, but he's also had some good roles in Requiem for a Dream and American Psycho. His performance here is absolutely amazing and heartbreaking at the same time.

Verdict: A fantastic film about about a part of the Aids crisis that I knew very little about.

The Wolf of Wall Street

Leonardo DiCaprio seems to be drawn to movies about excess. And excess is the name of the game in The Wolf of Wall Street.

Jordan Belfort (Leonardo DiCaprio) begins his career working for the shady Mark Hanna (Mathew McConaughey). Belfort loses his job after the firm he works at fails on Black Monday (which is something I'm guessing people in economics will know about). His wife Teresa (Cristin Milioti) encourages him to get a job at boiler room outfit that sells penny stocks, run by Dwayne (Spike Jonze). Once Belfort realises that he can make a higher commission selling these stocks, he begins to accrue wealth and begins a company with Donny Azoff (Jonah Hill), where the two embark on a lifestyle of excess and debauchery. This behaviour grabs the attention of FBI Agent Patrick Denham (Kyle Chandler), who begins to investigate him for a number of financial frauds.

The film is fantastically hilarious from beginning to end. Leo once again proves he is one of the greatest actors of his generation and that he can also be comedic. The film runs for 179 minutes and by the end I did start to feel the effects of that length of time. Although it's a gripping film, I felt as though it ran twenty minutes too long.

Leo's performance is fantastic and he has a great chemistry with the rest of the cast, especially Margot Robbie, who plays his second wife, and Rob Reiner, who plays his father. Robbie is insanely good in this film and I can't imagine how hard it is for an Aussie to pull of a Long Island accent like that or for such a long time.

Jonah Hill also shows that he has game as a serious actor. I know he's been trying for a while and he really breaks through with this film, whilst still drawing on his talents as a comedian. Jon Bernthal is someone who I've had a hard time getting behind (mainly for his role of Shane on The Walking Dead), but his talent playing for playing the scumbag is well utilised in this film. Also the Spike Jonze cameo just made me laugh.

Verdict: Martin Scorsese crafts a wonderful piece of art about the excesses of the Wall Street rich whilst being devilishly funny and accurate. Bonus points for the hilarious joke about cerebral palsy (which I laughed at harder than anyone in the cinema).

The Paperboy

Lee Daniels' follow up to his heart-wrenching Precious is set in the south of Florida in the late 60s, during the time of the Civil Rights movement. Whilst civil rights is not the main theme, they do provide a great background to the motivations of some of the film's characters.

The Paperboy follows idealistic writer Ward Jansen (Matthew McConaughey) and his younger brother Jack (Zac Efron) as they try to clear a man who they believe was wrongly convicted of murder. Helping them are Ward's writing partner Yardley Acheman (David Oyelowo), a black British writer, and Charlotte Bless (Nicole Kidman), a woman who writes love letters to convicts. The brothers' father (Scott Glen) is the distributor of the Miami Times in their small town.

The group meet with the suspected killer, Hillary Van Wetter (John Cusack), who seems indifferent to the fact that he is on death row, but maintains his innocence. Ward follows up on every single lead but can't seem to find any solid evidence to say that Van Wetter didn't commit the crime. Regardless of this, Yardley returns to Miami and runs the story in the Times. Van Wetter is let free from prison where he reconnects with Charlotte. Ward, who was mutilated by two sadistic men, and Jack are left to their own devices.

Daniels' does his best with a well-rounded cast. McConaghey shines as Ward Jansen and it is good to see him using his southern accent to use. Efron has come a far way from his High School Musical days and gives Jack a confused vulnerability that really works. The main star of this film, however, is Nicole Kidman. She really showcase her range as an actor. Her scenes with Cusack are, while disturbing, are amazing.

John Cusack has long been a favourite of mine and I was excited to see him in this. His portrayal of the villainous Van Wetter is as amazing as it is haunting. You could really believe that he is a murderous psychopath. This is the third film of the year that I have seen David Oyelowo in (the other two being Jack Reacher and Lincoln) and I have to say that he's growing on me. In each of these movies, he plays vastly different characters and I'm looking forward to seeing him in future projects.

Daniels shot this film in 16mm film and it really works. It suits the time period and the occasional blowout of light makes it look fantastic and real (as well as raw). It was a bold choice choosing this format and really pays off.

The soundtrack of this film is also superb. The use of contemporary soul and R&B music really lent to both the time period and setting.

Verdict: Although the story can be a little lacking at times, the drawcard here are the performances, especially from Nicole Kidman.