Monday, 28 January 2013

Hitchcock

I am convinced that someone has built and is using a time machine. My evidence for this wild allegation is the movie Hitchcock. They must have gone back to 1960 and convinced Alfred Hitchcock to get in some odd shaped car and act in a film about the making of his most famous movie Psycho. It's either that or Anthony Hopkins is the best celebrity impersonator ever (or close enough until you hear the legendary Ralph Garman). Either of these ideas work for me.

The story behind Psycho was an amazing one. His last film North by Northwest was a huge success. But Alfred dreams of his younger days, when he and his wife Alma (Helen Mirren) were making experimental movies and pushing the boundaries of can and can't be shown on the silver screen. He is under contract for one more picture with Paramount. So in the search for the inspiration for his next movie, Hitchcock comes across Robert Bloch's novel Psycho. It is about the owner of a mysterious motel who murders most of the young female guests who enters it's doors. Hitch, as he is known in this movie, is smitten with the story, he has found the film that will push the envelope in many ways. However, he cannot get anyone to finance it. So, in a turn that makes me to consider him one of the original indie filmmakers, he mortgages his house and tightens his bootstraps to make one of the most ambitious films of his career. Ambitious only because the head of the US censor board (That 70s Show's Kurtwood Smith) finds the film to be abhorrent. So through the ups and downs of the production he finally is able to make a rough cut that is satisfactory, although it isn't any good.

Meanwhile, Alma finds herself drifting away from Alfred and wishes to pursue her own projects. She starts work on an adaption of her friends new novel. She works on this for a considerable amount of time before realising it is unadaptable. This is just about the time when Hitch finds that he needs to re-edit his rough cut and Alma comes to the rescue. They spend a considerable amount of time in the editing room and end up coming out with a masterpiece. This time round the film is much more to Hitch's expectations, although only two theatres agree to show it, so they must rely on word of mouth. Luckily for them it is a success with the audience.

The cast in this movie is great. Anthony Hopkins, as I said earlier was a dead ringer for the master of suspense, and Helen Mirren were perfect as always. But they real joy of the cast is in the supporting roles. Scarlett Johansson is perfect as Janet Leigh (also known as Jamie Lee Curtis' mum, something I only recently discovered), the leading lady made famous by the iconic shower scene. Another doppelganger in this movie was James D'Arcy as Anthony Perkins, who plays the eponymous psycho. This guy was so convincing as Perkins, he had all the nervousness of the actor and character down-pat. Also a surprising supporting role came from a highly unrecognisable Toni Collette as Hitch's assistant. Jessica Biel also gets a bit part as Vera Miles, Hitch's former leading lady.

There are some interesting "dream" sequences in which Hitch's experience making this film is likened to that of the story Ed Gein, the serial killer caught two years prior to the making of the film and the model behind the character of Norman Bates. Here his played by Michael Wincott (we all remember him from Alien: Resurrection, surely).

Verdict: I found this movie to wonderfully enjoyable. I love Psycho and I find it to be terrifying (it's 52 years old as well). I also like to see movies about how Hollywood worked in it's golden age and this is no exception. Look out for a great reference to his next film, The Birds.

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