Showing posts with label Penélope Cruz. Show all posts
Showing posts with label Penélope Cruz. Show all posts

Monday, 14 March 2016

Grimsby

Sacha Baron Cohen has taken a more restrained direction with his latest movie, Grimsby. Although it's not his first fully integrated fiction film, that was in 2012 with The Dictator, it is one where he hasn't gone over the top with his main character. That's not to say, however, that this film is filled with all the gross jokes you'd come to expect from his comedy. Combine these with an experienced action director like Louis Leterrier and you get a pretty enjoyable action-comedy.

Nobby (Baron Cohen) is living a happy life in the north of England. The only thing missing is his younger brother Sebastian (Mark Strong) who was adopted without him when they were younger. Sebastian is now a spy working for MI6 and Nobby finally gets a chance to reunite with him when he hears that Sebastian will be attending a charity event. Sebastian is actually at the event to prevent an assassination attempt on Rhonda George (Penélope Cruz), the head of a global health charity. Nobby manages to mess it up for him (and give Daniel Radcliffe AIDS in the process) and soon they are both on the run with MI6 believing Sebastian to be a rogue agent. The only way to clear his name is to find who was behind the attempt in the first place.

Grimsby is a pretty funny movie, I should say that right of the bat. But then again the jokes are the typical Sacha Baron Cohen "I'm going to shock you into laughing" jokes. They usually involve an extreme sexual gag, like Nobby having to suck a toxin from Sebastian's testicles. Some of these jokes come back in various forms throughout the film in more extreme instances than the last. Not all of them are as low-brow as these. There is a joke later about how guns remove guilt from the act of killing. That's a pretty complex joke once you think about it.

I do think Grimsby might be in need of some structural reshuffling. There was a missed opportunity in giving the audience some serious misdirection in the type of film they are watching. I think if they had have started on one of Sebastian's action missions and then reveal that it's actually a comedy. That's what I would have done anyway. The direction all up is fantastic. Louis Leterrier, who has previously worked on The Transporter series of films, brings his experience in action movies and melds it perfectly with Cohen's comedic sensibilities. The action sequences don't take up too much of the film, but they are snappy and well done when they do show.


Sacha Baron Cohen's Nobby is quite a fun character to watch. He really does mean well and he just wants to help his brother but he can't help from screwing up. A fun detail I realised was that his sideburns are mismatched in length, which is one of those small things Cohen does with his characters. Mark Strong has probably missed his chance to play James Bond (a shame if you ask me), but he does a great job playing him here. He has some rather subtle emotional moments after his flashbacks to when he and Nobby were younger that he carries quite nicely. Cohen's wife Isla Fisher is quite good as Sebastian's ally in MI6 and Rebel Wilson plays the same old character, this time just from the north of England. Although she's the main villain, Penélope Cruz hardly gets enough time to show off any of her acting skills.

While it may not be as punchy as Borat and Brüno, Grimsby is a pretty funny comedy of two worlds clashing together. Sometimes it can be a bit culturally homogenous and not all the references will be gotten, but watching Sacha Baron Cohen come up against a proper actor like Mark Strong makes it a pretty fun watch.




Friday, 12 February 2016

Zoolander 2

Like Anchorman 2, Dumb & Dumber To, and Crocodile Dundee in Los Angeles; Zoolander is getting the sequel that fans of the comedy have long-awaited. Directed once again by Ben Stiller, Zoolander 2 promises outdated supermodels grasping the complexities of modern fashion, full-lipped divas, hipster designers and evil super-villain schemes, but much like that CSI thing, most of us are only here to see Justin Bieber getting shot. 

15 years after the events of the first movie, Derek Zoolander (Ben Stiller) is in hiding after his ‘Centre for Kids Who Can't Read Good and Who Wanna Learn to Do Other Stuff Good Too’ collapses, crushing his wife (Christine Taylor) to death and scarring his friend Hansel’s (Owen Wilson) face. Derek and Hansel are convinced by Billy Zane to return to the fashion industry after “the world’s most beautiful people” are being assassinated, all with Derek’s trademark looks on their faces. Interpol - Fashion Division agent and ex-swimsuit model Melanie Valentina (Penélope Cruz) is investigating the mysterious deaths, with some uncertain link to Rome. Unfortunately, the only man who can help is no longer so hot right now. 

Stiller deals with the Canadian elephant in the room swiftly, killing off Bieber in the opening scene in a gratuitously long, extremely pleasing death that also serves to set up the mysterious plot that drags Zoolander out of hiding, encouraged to leave his snow covered retreat in the Alpine region of New Jersey by his good friend Billy Zane, one of many, many, many, many cameos in the second Zoolander. Much like the original, this film is stupid. It knows it’s stupid and the fans know it’s stupid. However it’s certainly not the first stupid American comedy to come out, so instead it tries to set itself apart from the others. Sadly though it seems to be living in the shadow of the first film - however small that shadow may be, and indeed one of the issues with 2oolander - as it's also know - is its constant references to the original film. Now I actually like Zoolander (the first one - I know this is confusing), however these references don’t serve to explain the first film to those who haven’t seen it. Instead they seem to be there purely as fan-service. Strike one. 

One of the other major issues with the film is Penelope Cruz. Her character is bland, annoying, appallingly acted and seems to only be there as a sexual object for teenage boys to ogle over. Yes, this is a film that mocks superficiality and there’s a reason her character is in this but she could at least get some decent jokes like her vain male counterparts Derek and Hansel. Otherwise the acting overall is fine. This is a close-knit circle of comedic actors that are always able to deliver, but none of them really stand out. Will Ferrell reprises his role as Jacobim Mugatu, who is decidedly Will-Ferrellish and Kristen Wiig is unrecognisable as the floating pile of cologne Alexanya Atoz, one of the more memorable performances. 

That isn’t to say that Zoolander No. 2 doesn’t have its good points. There are certainly plenty of chuckle-worthy moments throughout. It pays homage to a tonne of different movie tropes and farcically exaggerates them with several Bond-esque moments that could easily have been lifted straight from Austin Powers. The story in the original was certainly stronger, and you really can’t beat the petrol fight, but for a light comedy there’s certainly plenty of entertainment. However you can’t escape the somewhat formulaic similarities and rehashed jokes that make you question the creative incentive for a sequel here. 

Zoolander 2 is a decently funny sequel to what could probably be considered a cult movie by now, and there’s reason enough for die-hard fans to fork out for this one. However the endless parade of cameos, idiotic jokes and reused story beats indicate that in time it will probably join the likes of Airplane II, Hangover Part II and Blues Brothers 2000 in the forgotten sequels club, destined to forever live in it’s older brother’s shadow.

Saturday, 23 November 2013

The Counselor

The works of Cormac McCarthy have always served as interesting fodder for film adaptations. Indeed both No Country for Old Men and The Road translated his vision perfectly to the screen. However, The Counselor is an entirely original script from him and when you couple that with an immensely visual director, such as Ridley Scott, you get a beautiful film that also has extreme depth and meaning just underneath the surface.

The film is set in the southern United States and it follows The Counselor (Michael Fassbender) as he descends into the drug fuelled world of the Mexican cartels. After a shipment that he had a stake in is stolen, he ends up going on the run, as the cartel behind the other half of the investment believes he is responsible.

The film has many themes and they all seem to be complementary of one another. The largest ones are those of greed and actions and consequences. The Counselor is driven to do many of the things that he wants, primarily by greed. What he wants most is to please his girlfriend Laura (Penelope Cruz) and we can only assume that she is the reason he has driven himself toward this path. That greed also goes hand in hand with the consequences that are a direct result of the actions that he has taken.

All this depth and meaning stems from a superb script from McCarthy. Unlike the other adaptations that I mentioned earlier, whose screenplays had been written by other writers, The Counselor has the unique voice of McCarthy, who has written some wonderfully cryptic dialogue scenes that also appear in his literature.

This film is also spectacular to look at as well and that is largely due to Ridley Scott's amazing vision as a director. The landscapes in the film are amazing, showcasing Mexico and Texas on an intimate scale that I really appreciated.

Finally, the cast of this film is not be forgotten. I know looking at the poster, all you see are the big names and just think it's going to be an empty film. But all the actors are fantastic. I especially want to give praise to Cameron Diaz, as I have not seen her reach a level such as this since Being John Malkovich in 1999. There is also a scene that has cameos from Dean Norris (Hank in Breaking Bad) and John Leguizamo (Luigi in Super Mario Bros., and a ton of other stuff) that I found humourous for some reason.

Verdict: An intense and compelling crime drama that is sure to make you scared of cheetahs and girls on Ferraris.

Jasper Roberts Consulting - Widget