Showing posts with label Natalie Portman. Show all posts
Showing posts with label Natalie Portman. Show all posts

Monday, 16 January 2017

Jackie

The assassination of John F. Kennedy is one of the most well-known events of modern history. When most people consider the aftermath of his untimely death, attention is usually drawn to Lee Harvey Oswald and his subsequent murder, and light is rarely shone on the intimate details of his family and widow. Jackie delves deeply into a previously shallow part of this time in history, and stands as a powerful and sombre biopic about a grieving widow struggling in the public eye.

Following her husband's assassination, Jackie Kennedy (Natalie Portman) is left to try and hold together her life in a time of despair and confusion. Jackie explores the former First Lady's immense loss and different stages and experiences of grief, as it darts between her time in office before the assassination, the event itself, the immediate aftermath and an intimate interview a week onwards. Between arranging her late husband's funeral and explaining to her children why daddy isn't coming home, all while being berated with advice and consolations from advisors, this film follows the titular Jackie in a truly sad and tumultuous time.

In a film named after a character, there is no doubt going to be a massive focus on the actor or actress playing them. In the case of Jackie, Natalie Portman is tasked with exploring the complicated emotions associated with grief and loss. From struggling to remain composed and poised in the public eye, to frantically breaking down and sobbing in private, Natalie Portman greatly achieves this much needed range and carries the character throughout the entire film. Rarely can the facial expressions, dialogue and reactions of a single character render an entire theatre gobsmacked, but Natalie Portman absolutely does so in her performance as the former First Lady. This isn't even considering her imitation of Jackie Kennedy's signature accent (which she totally pulls off, by the way).


The entire film is wholesomely engaging and awe-inspiring. With a fragmented story darting back and forth between various events both before and after JFK's assassination, the audience is kept on their toes and engaged with what is unfolding. While the movie and Jackie's intimate interview (which serves as a base-line for the film's narrative) are based on a real interview conducted a week after her husband's death, we cannot be sure that all the intimate details of the story are true. This being said, even if Jackie's actions in the movie are stretched slightly beyond the truth, no doubt the grief and sadness emanated throughout them are accurate, and seeing these emotions displayed so beautifully on the big screen really hits home. Accompanied with a sombre and simple orchestral soundtrack, the mellow tone of the movie is really driven into the audience to great effect.

This movie carries great parallels between beauty and pain, from constantly contrasting Jackie's life before and after the assassination, to her comparison of her husband's time in office to a real-life Camelot. Through this same vein, Jackie is a great example of a movie which finds beauty in sadness, and is wholeheartedly engaging the whole way through. If you are prone to cry, bring some tissues, and prepare yourself for a performance that will no doubt snag a Best Actress Oscar nomination for Natalie Portman.




Saturday, 17 September 2016

Classic Movie Review: Black Swan (2010)

Artistic and unsettling, Black Swan is a prime example of Darren Aronofsky's ability to create an uncomfortable and distressing film experience that audiences simply can't turn away from. Through a twisted and dark artistic lens, this movie asks one important question: how far will someone go for perfection? Through an overemphasized and dark view of the world of ballet, we receive a twisted and psychological flick that leaves us questioning our own emotional and mental states.

Nina (Natalie Portman) is an aspiring and dedicated ballerina whose entire life is ruled by her pursuits in the art form. When her company begins production on Tchaikovsky's Swan Lake, Nina becomes the front-runner for the role of the White Swan, however her lacking range restricts her from playing the contrasting Black Swan. Competition begins as Lily (Mila Kunis) assumes this opposite role, and we begin to glimpse into Nina's dark emotional distress and mental illness as she vies for perfection in her performance.

An obvious starting point in an analysis of Black Swan is its artistic style. This film is Aronofsky at his best; assuming his token surreal and disturbing style in creating a truly beautiful and dark flick. The style of the film can be seen as a reflection of Nina's psychological distress, and as she spirals further downwards in her mental state, the artistic form of the film follows suit. As the movie progresses it becomes increasingly surreal and figurative as we glimpse deeper into Nina's emotional schizophrenia and anxiety. Basically, expect to come out of this movie questioning whether anything actually happened or not. But not in a clichéd kind of way.

Just as beautiful as the film's style is the acting in the movie, and not without recognition. Natalie Portman's incredible portrayal of the twisted and tormented Nina snagged her the Academy Award for Best Actress, with Mila Kunis also receiving praise for her performance as Nina's twisted counterpart Lily. Natalie Portman's ability to convey such a wide range of emotions in this movie, from love and lust to schizophrenia, ultimately creates an incredibly dynamic and diverse character out of Nina.


Much like Aronofsky's other movies (Requiem for a Dream, Pi), Black Swan is disturbing and uncomfortable, but ultimately impossible to stop watching. We as the audience get to see the dark embodiments of Nina's struggling mental, emotional and sexual states, and respectively feel almost as messed up as Nina by the end of the movie. Grim and beautiful, Black Swan is definitely not just a boring film about ballet. As Nina states at the climax of the movie, "I was perfect". And the film was too.
Jasper Roberts Consulting - Widget