Ghostbusters

The new take on the Ghostbusters, the film that every fanboy has loved to hate since its inception and the most disliked trailer on youtube (really guys?), has finally landed and it’s definitely a mixed bag that, as a massive fan of the original (who isn’t?) left me ultimately feeling a mix of nostalgia and conflict. Ghostbusters (a.k.a. Ghostbusters: Answer the Call) is directed by Paul Feig and stars Melissa McCarthy, Kristen Wiig, Kate McKinnon and Leslie Jones as the new face of the busting crew. After a falling out in their teenage years, Abby Yates (McCarthy) and Erin Gilbert (Wiig) reunite to investigate a haunting at a local historic house that, in turn, leads to the pair combining forces with Jillian Holtzman (McKinnon), Abby’s kooky and slightly unstable assistant, with Patty Tolan (Jones) joining them along the way. From here, the group must attempt to stop a full-scale spook-pocalypse from descending on New York before its too late.

The positives: As a person who (unpopular opinion!) had no problem with a female-lead Ghostbusters cast, I really enjoyed the character’s relationships and the quick, witty banter between them was well written (nice to see a film with a lot of positive female friendship that didn’t involve someone getting jealous about a guy). Standouts by far were Leslie Jones and Kate McKinnon who brought the thunder for this movie and ultimately gave us the most entertaining characters, which is ironic as I was expecting that from the big names of Wiig and McCarthy. There were definitely a few chuckles here and there, and more than a few homages and cameos from the original cast that pop up when you least expect them to, which was a nice touch. The special effects were well done and the spooks were much, much scarier this time around. I particular loved how the film took jabs at the fact that it had such a negative reception from die-hards fans, especially those who had a problem with the fact that they were women, and doesn’t try to take itself too seriously. As a side note, the new ghost-busting equipment is also seriously badass.

The negatives: One of the big issues that I had with this film had to be the villain. Although I understood the premise of why he was written i.e. to be a foil against the Ghostbusting group, he essentially could have been played by anyone and was overall pretty bland. The final end standoff that we saw in the trailer was really the only time he shone. While the film was on the whole funny, some of the humour lost its flavour by being taken that one step too far, for example with their receptionist Kevin (played by Chris Hemsworth). We know he’s a bit of an idiot (okay, a lot of an idiot) within the first few moments of his character’s arrival, and I liked that he was a parody of some of the ridiculous characters women get cast as in order to be eye-candy, but Kevin’s cartoonish actions can only entertain an audience for so long before it starts to get old and I’m not entirely convinced Hemsworth was the right casting choice. My last concern has to do with the pacing in this film: it tended to lose its momentum in places and lose my attention, however when I tuned back in not much had happened, which isn’t the best sign for such a highly anticipated film.

The film is ultimately nowhere near as bad as people were wanting it to be, but also not nearly as good as I was hoping it would be, and would possibly have been better as an homage in itself to Ghostbusters rather than a fully fledged ‘busters movie. It had its funny moments and I loved the whole girl power aspect (I’m sure there will be many tiny Ghostbusters this Halloween) but there was definitely room for revision and improvement and I wish that it had been able to stand on its own a little more. On the plus side, the kids are gonna love it and let’s face it, its no longer about our childhood, its about theirs.  

Spy

Parodies of the spy film and in particular the James Bond movies have been around for as long as the genre has existed, with notable entries being Johnny English and the Austin Powers movies. But these parodies have never really been executed too well using American characters (although Austin Powers were Hollywood movies, the character was still British), so I had little faith in Spy, something that was soon proven wrong.

Susan Cooper (Melissa McCarthy) is a CIA agent who handles field agent and super-spy Bradley Fine (Jude Law) from the CIA headquarters in Washington. After a mission goes wrong where Bradley is killed and the covers of all CIA field agents is blown, Susan is the only person who can go undercover and recover a nuclear weapon being sold by villainess Rayna Boyanov (Rose Byrne). Susan must also contend with the arrogant rogue agent Rick Ford (Jason Statham) who doesn't believe she can complete the mission on her own and wishes to garner all the glory.

The film parodies a lot of the elements of a James Bond movie, and quite well too. Everything from the cars to the gadgets to the glamorous women appear. The opening title sequence is even a perfect match to one of those films. The movie does try to delve into some of the more in-depth subplots that involves a double CIA agent that is played by Morena Baccarin. This seems a little out of place and only adds confusion to a rather simple and enjoyable plot.

The film however is very self-aware and sure of itself as a spy parody. It understands all of the ridiculous elements of the movies and each character is an archetype of those movies. Jude Law's Bradley Fine is very much the gentleman spy and Statham's Rick Ford is a cross between Jason Bourne and his own character from Crank or The Transporter films. Susan Cooper is very much the tough female protagonist and it was quite cool to see Melissa McCarthy kick ass, although her reactions to when she kills someone could have been removed.

So while McCarthy does play a strong character, she still is playing the same crass woman that she has been, although it was rather dialled back in this film. Rose Byrne shouldn't really venture into mainstream comedies like this. While she's good in quirky and offbeat comedies, I think she should just stick to serious roles. I'm sure Jude Law was glad to have a chance to play James Bond in this movie and he looked like he was having a fun time. It is refreshing to see Jason Statham return to comedy after almost twenty years because it seems everyone has forgotten that he made his debut in two great comedies (as the characters of Bacon and Turkish). Miranda Hart makes for great support with Allison Janney as Susan's boss at the CIA. The real show stealer for me was Peter Serafinowicz, who was a delight in every single scene as Italian agent Aldo.

A surprising foray into the spy parody for Feig and McCarthy which pays of with some fun laughs, but mostly presented by the other characters. Jason Statham and Peter Serafinowicz shine in the supporting roles.

St. Vincent

In recent years, Bill Murray has become an unlikely folk hero, travelling around the United States imparting wisdom at bachelor parties, being a guest bartender at random bars and just doing things Bill Murray would do. His recent Renaissance has given his career a new life other than just being remembered for 80s comedies. This latest film (and debut from Theodore Melfi) may not exactly be a career defining film, but it certainly cements his position as both a comedic and dramatic actor.

Vin (Murray) is ageing war veteran retiree who lives in Brooklyn and spends most of his days drinking or cavorting with Russian prostitute Daka (Naomi Watts). One day, single mother Maggie (Melissa McCarthy) moves in next door with her young son Oliver (Jaeden Lieberher). Vin becomes Oliver's babysitter when Maggie fails to return home after work one day and the two begin an unlikely friendship.

Although Melfi's script is a little predictable at parts, there are some surprising moments of sadness and comedy littered throughout and these are aided along by the entirely convincing performances from both Murray and Lieberher. The moments of sadness and heartbreak that come are touching but also do a fantastic job in building the character of Vin.

Murray's career spanning four decades has given him the skills to be able to alternate between comedy and drama with ease, so it's hardly surprising that he is a wonder here. But the true star is young Jaeden Lieberher, who doesn't have all those years of experience. His character of Oliver has a certain naïvety that soon drops once he begins to spend time with Vin and I can't help feeling that that has something to do with the chemistry between Murray and Lieberher.

The supporting cast acts as a great backup to these two mains. Melissa McCarthy's recent string of films has really worn on me and I don't find her coarse comedy funny at all, but here she has wound it all the way back and isn't searching for or stealing the spotlight, instead becoming a part of a fluid machine, thus becoming more enjoyable to watch. Naomi Watts is another actor who has never really grabbed me, but her gruff portrayal of a pregnant Russian stripper and prostitute is great to watch. As always, Chris O'Dowd is fantastic in a comedic role that isn't Roy.

Verdict: While it may not be a fantastic comedy or drama, St. Vincent is a great movie to get you through a quiet afternoon.

Tammy

So I went into this movie with super low expectations. All I knew about it was that is a Melissa McCarthy vehicle where she goes on some sort of road trip. So I was a little surprised that I didn't find it all that bad. That was then I realised that it was supposed to be a comedy, it was then that I was disappointed.

Tammy (Melissa McCarthy) is a woman who is at a crossroads in her life. She has just found out that her husband is cheating on her and has been fired from her job. Fed up with everything that is going on, she goes on a road trip with her grandmother Pearl (Susan Sarandon), who wants to visit Niagara Falls. Along the way, Tammy meets Bobby (Mark Duplass), who she falls for.

Tammy is a strange movie. It's not a full on laugh out loud comedy (although there are a few laughs), but it is neither a drama. It suffers from severe under-characterisation and you never get close to any of the characters. The story isn't too bad, I can see the concept actually happen, but the situations that Tammy finds herself in are just absurd (and not in the funny way).

This film has a crisis in casting. Whilst the part of Tammy was written for McCarthy (she did write the script after all), some of the main roles are extremely poorly cast. It's hard to believe that Susan Sarandon is McCarthy's grandmother, but even harder to grasp at the idea of Allison Janney being her mother (there is only a decade difference in their ages). Toni Collette and Nat Faxon appear in this movie, although they barely have any lines. The only good choices I could pick out were Kathy Bates and Sandra Oh as a lesbian couple. These two were the sweetest and most likeable characters in the film.

The comedy relies on McCarthy being a foul-mouthed woman, which is really old hat for her (she did it better in both Bridesmaids and The Heat). She has some skill doing slapstick work, but doesn't take advantage of the opportunities and instead attempts to swear her way into some laughs.

Verdict: An alright movie if you've got a lazy afternoon to spare (like I had), but I wouldn't recommend rushing out to see it.

The Heat

Much in the style of the buddy cop movies of the late 70s and early 80s, The Heat offers a refreshing and interesting look at the genre albeit in a hilarious gender reversal.

Special Agent Sarah Ashburn (Sandra Bullock) is a super successful member of the New York office of the FBI. When an opening for a senior level position is opened, she naturally goes for it. Her boss, Hale (Demian Bichir) will give her the position if she goes to Boston to solve a set of grisly murders in the criminal underworld, all involved in the drug trade. There, she teams up with local detective Shannon Mullins (Melissa McCarthy), a tough cop who has her own style of cleaning up the streets.

This film really works and is really funny. Good buddy cop movies are really hard to pull off (Stop! Or My Mom Will Shoot, anyone), but Paul Feig has a comic sensibility that is perfect and I really feel as though he has found a muse in McCarthy (Bridesmaids).

Sandra Bullock has never really appealed to me as a comedienne (although I know she can make fun of herself, having personally received the Golden Raspberry for All About Steve), but she can really hold her own and has a great chemistry with McCarthy.

McCarthy is just hilarious playing this tough cop who will do anything to bring down the bad guys, including playing Russian roulette with a man's balls. Her tough exterior is brought down in her relationship with her drug dealing brother, whom she wants to rehabilitate. The rest of her family is a fantastic caricature of a Boston family unit, complete with everyone dropping their r's.

There is also a ton of great cameos from a range of comedic actors, including Tony Hale (Arrested Development), Kaitlin Olson (It's Always Sunny) and Thomas F. Wilson (Freaks and Geeks, Back to the Future).

Verdict: A hilarious twist on the buddy cop genre with plenty of laughs, but also has a sensitive side to it.

Identity Thief

It occurs to me that Jason can only play two characters; Jason Bateman and Michael Bluth. While it may seem that they are two different characters, they aren't that far removed. In this movie, he is definitely playing Jason Bateman.

The plot of this movie is simple enough. Sandy Patterson (Jason Bateman) has his identity stolen by an overweight Florida resident (Melissa McCarthy). Sandy has just become a senior VP at a new financial firm when he discovers the bad news. The police inform him that they can do nothing about it, as it is outside their jurisdiction. Sandy hatches a plan in which he will coerce the other Sandy to confess her crime to his boss Daniel (John Cho). So off he goes to Florida, only to discover that he must drive back to Denver with his detainee.

So what seems like a simple road trip movie is slightly complicated by the fact that the other Sandy (real name Diana) is being followed by both a bounty hunter and two drug dealers controlled by a mysterious prisoner (Jonathan Banks). I found that these characters added an extra layer to the film that was not really needed, but didn't detract from the main storyline too much.

It seems that Seth Gordon has just taken Bateman's character from his last film Horrible Bosses and just put him in a new situation. The jokes in the film aren't hysterically funny, but they aren't unfunny either.

Jason Bateman's character Sandy is a kind of hapless sort who falls into the situation that causes him all this grief very easily. His role here is very much as a straight man to McCarthy, with lots of jokes at his expense about his feminine name. I feel as though Melissa McCarthy is quite up to the standard that she has been in the past. I found the funniest jokes from her were the ones where she tries to sing.

There were a few good cameos from Jon Favreau, Eric Stonestreet and Jonathan Banks (of Breaking Bad fame, fans of that character will recognise him instantly), but all these characters stories never got resolved and it would have been good just to have a round up of them in the closing credits.

Verdict: It's a bit of gamble seeing this movie. You could find McCarthy's antics hilarious or grating. It works well as a road trip movie, but Todd Philips has done better.