Allied

Robert Zemeckis’s past two films The Walk and Flight both fell massively short of the mark, with more gloss than quality storytelling. Now he’s taking on a classic genre, the wartime epic romance, and putting his own spin on it with Allied.

It’s the height of World War II and Royal Canadian Air Force officer Max Vatan (Brad Pitt) is travelling to Casablanca in French Morocco as part of a planned assassination of the German ambassador. His partner is French Resistance fighter Marianne Beausejour (Marion Cotillard). The two are to pose as a married couple for cover as they prepare for the mission, however they grow a little too close and after completing the assassination they move back to London to start a life together. A year after their marriage, Max finds out from the Special Operations Executive that Marianne may be a suspected German spy and that he is to help determine if she can be trusted. If she is found to be an enemy agent, Max must execute her by his own hand.

With what might be most closely described as the first act of Allied, we see the two meet in France and swiftly plan their pseudo-marriage and the assassination. This should initiate a spark of character development that draws us into this sweeping romantic war film - the sort of film we haven’t seen in a very long time - but what we get are stale cardboard cut-out roles that only really prepare us for a decidedly tepid film overall.

Before we know it, Max and Marianne have settled down in London and already have a baby girl. We’ve skipped a whole crucial stage of empathy-building and by the time the rumours of Marianne’s allegiance make it to Max, we couldn’t really care less about the end result because we’re not invested in their relationship. Despite all the tabloid hearsay that plagued this film’s production, there’s just no chemistry between Pitt and Cotillard.

The film continues along at a sluggish pace, and makes sure you’re aware that it sees itself as a sort of new-age Casablanca, dangling comparisons around blatantly. The same overly-syrupy filmmaking that we saw in Flight is also present here, with sweeping tracking shots and sentimental strings at every corner. There’s a lack of emotional contour to the film because of this and it all blends into one.

That being said there are some great set-pieces in Allied, particularly the scene when a German plane is shot down during the Blitz and starts to spin out of control down towards their house. As always Zemeckis uses effective and nuanced CGI to blend digital elements in the background, and overall the film looks great, if overly smooth and saccharine.

Despite these few-and-far-between moments, Allied is unfortunately not a return to form for Zemeckis. Although all his sappy directorial decisions are not as adverse to the overall film as the total lack of allure between Pitt and Cotillard and the stagnated characters that they inhabit.

The Night Before

Who knew that Kanye West's "Runaway" is actually the perfect Christmas song? Well in a scene straight out of Big, Joseph Gordon-Levitt, Seth Rogen and Anthony Mackie prove just that. It's actually a scene that sets the fun tone for the remainder of the film. And it doesn't diminish for the entire length of the film.

On Christmas Eve 2001, Ethan (Joseph Gordon-Levitt) buries his parents after they were killed in a hit and run. His friends Isaac (Seth Rogen) and Chris (Anthony Mackie) decide to get him drunk and help him focus on the present. This is a tradition that they have kept ever since. Fast forward fourteen years and they have all changed. Ethan is a struggling musician with commitment issues, Isaac is about to have his first child with his wife Betsy (Jillian Bell) and Chris is now a famous football player. Because of all the changes that have happened, the guys decide that this will be the last night in which they do this.

What I love about this movie is that the plot motivation is very simple. The three guys are trying to get to the holy grail of Christmas parties: the Nutcracker Ball. That's the ultimate goal of the movie, but the journey along the way is the fun part. Ethan is trying to get back with his girlfriend Diana (Lizzy Kaplan), Chris is trying to get some weed for his football teammates, but is thwarted by the Christmas Grinch (Ilana Glazer) and Isaac just trips out on every drug under the sun while he tries to recover his phone from Diana's friend Sarah (Mindy Kaling). Tying them all together is the mysterious drug dealer Mr Green (Michael Shannon).

Mr Green acts as the emotional core of this movie, but he is also one of the many references to other classic Christmas movies. He is the substitute of the Ghosts of Christmas Past, Present and Future which he delivers through three different strains of weed. Ilana Glazer's character references The Grinch, Die Hard and Home Alone. The large majority of jokes in this film go towards Isaac's confusion about Christianity as he is Jewish, but there are some like Sarah's overt sexuality and James Franco's ambiguous sexuality (he plays himself) and confusion over his dick pics.

Not all the performances in this film are really worthy. Seth Rogen is adept at playing his character by now, as are Lizzy Caplan and Mindy Kaling. I feel as though both Anthony Mackie and JGL dropped the ball, as they both felt quite hollow to me, which is disappointing for leading actors. It was great to watch the serious dramatic actor Michael Shannon have fun in this movie, although he doesn't drop his seriousness at all, instead bringing the film a touch of class. It's great to see Tracy Morgan back in action as Santa and cameos by Randall Park, James Franco and Miley Cyrus lift the fun.

Seth Rogen keeps up his annual comedy releases with The Night Before and doesn't disappoint. Like I said with Love The Coopers, this is a great movie for those who love Christmas, although a lot more silly, less depressing and a lot less traditional.