Showing posts with label Kyra Sedgwick. Show all posts
Showing posts with label Kyra Sedgwick. Show all posts

Sunday, 8 January 2017

The Edge of Seventeen

My first review of 2017! I can’t believe that the first week of this year has already flown by. I’ll admit I was a bit hesitant to see this movie, only because I’m not always the biggest fan of coming of age or romance films. But as my close friend is really into films like this and I’ve made her sit through countless horror/thriller films I figured I owed her one. So here we go.


Set in American suburbia, The Edge of Seventeen revolves around the life of Nadine (Hailee Steinfeld), a high school student who has felt as though she was an outcast her entire life, owing to her unorthodox and sometimes brash personality. Dodging awkward advances from her classmate Erwin (Hayden Szeto) and secretly crushing on school bad boy Nick (Alexander Calvert), her only saving grace is her best and only friend Krista (Haley Lu Richardson), who she met in primary school. Things begin to get complicated when, after a party night at her house, Nadine awakes to find Krista in bed with her older brother Darien (Blake Jenner), whom she has always felt inferior to because of his popularity and charm. Feeling as though she is going to lose her best friend to her brother as well as the burden of her overprotective and misunderstanding mother, Nadine begins to confide in her high school teacher Mr. Bruner (Woody Harrelson). As her life slowly begins to unravel, Nadine begins to wonder: can anything in life really be perfect, or will high school never end?

The positives: Above all else, the acting in this movie is one of its biggest selling points. Standouts have definitely got to be Woody Harrelson as the sarcastic teacher who really gives zero shits (but c’mon, we all saw that coming from the trailer) and Hayden Szeto who brings the perfect amount of awkward and charming to the character of Erwin. Hailee Stienfelds’ Nadine was also a really refreshing twist on the coming of age protagonist, moving away from the usual passive and introverted main character to someone who is overdramatic, selfish and frankly, a loudmouth, having spent her life in her brother’s shadow. But in terms of the story, one of the best running themes in this film has to be the reminder that not everything is always what it seems, and that life can throw things at you without warning. The storyline was interesting and made me care about the characters and their relationships to one another, so I can definitely say the movie was genuinely entertaining.

The negatives: I wish I could say that this movie hit the nail on the head in its entirety, but once again pacing begins to have a really big impact on this film. The amount of different locations, different plot points and character development happening at the same time make it begin to feel a bit crowded after a while. As an audience member I felt at times that certain parts of the story deserved more attention. As well as this, a lot of people have been comparing this film to ones such as Clueless (1995) and Mean Girls (2004): this is nowhere near that territory in my opinion. If you were into films such as The Perks of Being a Wallflower (2012), The Breakfast Club (1985) and Sisterhood of the Travelling Pants (2005) (and I may have revealed just how old I am with that last one) this will be for you. But be warned, while this film has a feel good vibe at the end, it’s not always as chipper as the trailers might like you to think, so if you’re gonna take your 10 year old to see it, maybe think again?

In the end, this film is fun, relatable and will definitely become a classic. Its witty writing and entertaining plot will make it worth your money if you’re into these kind of films, and also remind you of the times when you were young and stupid and made mistakes that seemed as though they’d last a lifetime (if you’re old like me that is). Although its not perfect, its certainly worth a watch.

Wednesday, 3 December 2014

War Movie Month: Born on the Fourth of July (1989)

The second film in Oliver Stone's trilogy of Vietnam War films focuses more on the rhetoric of why and how people get caught up in fighting them and the affects that this fighting has. Not only on the mind, but the body too.

Ron Kovic (Tom Cruise) is a teenager who grew up in a small town in Long Island. After seeing JFK's "Ask not what your country can do" speech as a young boy, he has grown up with an intense love for his country. As soon as he is able to do so, Ron joins the Marines and is shipped off to fight in Vietnam, where he is made a paraplegic from being shot in the neck. Once he returns home, he realises that not everyone the same die hard patriotism.

While this is far from being a great movie (I have some minor problems with its pacing), Stone does make a great statement about how young men get caught up in the fervour of war. Kovic grew up with the patriotism that pervaded Cold War-era America and after hearing the tales of his father and how the indoctrination of "The Greatest Generation" being so because they fought in the Second World War, it only makes sense that he wishes to enlist in the Marines and fight for his country. It is only after he is severely injured that he comes to realise that the Vietnam War was a wrong war to be fighting.

This movie has some extraordinary performances, but the majority of the movie is dominated by one. Cruise's Kovic is scarred by things that he did during the war and spends most of his time trying to atone for these things, but is ultimately unable to find peace. Willem Dafoe is quite extraordinary as a creepy wheelchair-bound vet that Ron meets in Mexico. The standout performance for me has always been Raymond J. Barry as Ron's father, who makes me cry without a doubt every time.

The soundtrack to this movie is probably the best part. Despite the best efforts to try and make "Moon River" the theme song (complete with a creepy drunken Tom Cruise rendition), The Temptations "My Girl" does a much better job at capturing the sound of the era. This is backed up by a great score from John Williams that follows the highs and lows of the film.

Verdict: A captivating film about the effects that war has on the people who fight in it. 
Jasper Roberts Consulting - Widget