A Bigger Splash

Luca Guadagnino's latest film A Bigger Splash is somewhat ambitious in what it is trying to achieve. Guadagnino is known for his sweeping dramas and this film does follow his usual style, but on a much smaller scale. However, he attempts to surprise audiences with a sharp right turn, which is something that I don't think works to the film's benefit.

Marianne Lane (Tilda Swinton) is a rock star taking some time off after undergoing throat surgery. She is relaxing on the Italian island of Pantelleria with her documentary filmmaker boyfriend Paul (Matthias Schoenaerts) when she is intruded upon by old friend Harry (Ralph Fiennes). Harry has also dragged along his daughter Penelope (Dakota Johnson). Soon Harry has imposed himself upon the couple and is causing tension as he wishes to start up an old relationship with Marianne, which angers Paul to no end.

Up until two-thirds through the way of this film I was entirely on board with what was going on. I really enjoyed the dramatic tension that was happening throughout. But then at the end of the second act, one of the main characters is killed off. I am totally okay with this too, but what I found was that I wasn't entirely convinced by the reason for why it happened and I felt as though there could have been other stronger ways that it could have been presented. This totally changed the whole dynamic of the film to a thriller, but one where the stakes weren't that high. As a result I wasn't really concerned for any of the characters and if they would get out of it unscathed. It did lead to a great revelation however, one that has some pretty nasty implications.

Guadagnino has written some fantastic characters that are portrayed superbly. Top of this list is Ralph Fiennes. While he has played some truly reprehensible characters (a crime boss, a sadistic Nazi, the Dark Lord), I found his character of Harry to be the worst he's ever played. He is the kind of person who you just want to punch if he ever turned up in your life. But the reason he is so good is because he is so incredibly charming and intoxicating to watch. Tilda Swinton has been a long time collaborator with Guadagnino and their working chemistry really shows. She is also stunning to watch because as she barely speaks in the film, all of her performance is done through her physicality. Matthias Schoenaerts' performance straddles a fine line between main and supporting because he doesn't have the screen presence of Fiennes, but at the same time he's very good and important to the story. I want to say Dakota Johnson is good, but she doesn't do very much. However, she gives a better performance than all her previous work combined.

Despite the strange turn in the film, A Bigger Splash is a fantastic drama that is heightened by its small, vibrant cast.

How To Be Single

How To Be Single is surprisingly good. On the surface it seems like a standard unimpressive rom-com, but it ends up not at all adhering to any of the tropes of the genre. Despite the name of the film, I had thought that the main character Alice would end up with some guy and be happy, but it completely goes against expectations. Something that was promised last year with Amy Schumer's Trainwreck, that that movie ultimately failed to deliver on.

Alice (Dakota Johnson) decides to split briefly from her college boyfriend Josh (Nicholas Braun) so she can learn how to be her own person. She moves to New York where she befriends Robin (Rebel Wilson) who teaches her how to enjoy single life. Meanwhile, Alice's sister Meg (Leslie Mann) is a career oriented doctor who decides that she wants to have a baby and embarks on the IVF process. Alice gets caught up with bar owner Tom (Anders Holm) who shows her his honest tactics when it comes to sleeping with girls and not getting attached with anyone. He does however have a crush on Lucy (Allison Brie), a girl who lives above his bar and is focused on getting married to someone soon. Alice also gets involved with David (Damon Wayans Jr.), a father who is still reeling from the death of his wife two years earlier.

The overall message of the movie is a positive one. Most romantic comedies make it seem like it's the end of the world if your story doesn't end with you meeting that person who is perfect for you. How To Be Single teaches you to just be comfortable with whatever situation you end up in, whether it's being single or in a relationship. I like the realistic way in which this film comes together. All the character interactions are completely organic and the character arcs happen the way they would in real life as opposed to a Hollywood movie. Alice doesn't get back together with her old boyfriend and even though Tom gets his chance at giving his big emotional speech, it doesn't end up working at all. Despite these positives, there are some flaws with the script. Meg comes to the realisation that she wants to have a baby after spending a few minutes with one. It's as if all her ambitions of having a career give way to maternal instincts just because she holds a baby one time. Also there's a bit of a black hole in the third act when we just flash forward to three months later without referencing anything that happened during them.

Watching this movie, I realised that Dakota Johnson can't really act, showing that acting talent isn't exactly hereditary (her dad Don was one half of Miami Vice), but in this movie it's okay because the audience is able to put themselves in the shoes of her character, despite the lack of personality. Also Rebel Wilson plays the same Australian character as in the other films she's in, making me wonder how bad her American accent is (Dakota Johnson on the other hand does quite a passable Aussie accent). Thankfully we don't see Johnson and Wilson for all the movie and the supporting cast actually has a lot of screen time. Leslie Mann has always been a remarkable actress and is great at playing serious against funny which comes in handy here. Allison Brie is fun as Lucy, but can do better. The male cast members take a back seat but are still pretty funny, especially Jason Mantzoukas and Jake Lacy, who I thought was a lot funnier here than his last role in Love The Coopers. Damon Wayans Jr. has the potential to be a hilarious actor, but sadly his role wasn't calling for it. Both Nicholas Braun and Anders Holm play serious guys as well.

How To Be Single offers a refreshing take on modern relationships that is more in keeping with reality. But if you're not into that and just want to watch an easy rom-com, this movie isn't going to hurt you at all either. Poor lead performances aren't enough to make it horrible either.

Black Mass

South Boston, or 'Southie', has been the subject of many a crime film over the past decade and a half. Movies like The Town, Southie, The Departed and even Good Will Hunting have striven to accurately portray one of the roughest neighbourhoods in the United States. But one notorious figure has yet to be portrayed on film; that of James 'Whitey' Bulger (Okay so not necessarily true, Martin Scorsese's The Departed was based on his crimes).

Bulger (Johnny Depp) is the leader of the Winter Hill Gang in South Boston during the mid-1970s. He is well known in the community as both a gangster and a pillar of the community. His brother Billy (Benedict Cumberbatch), a state senator, is contacted by their childhood friend John Connelly (Joel Edgerton), who is now a FBI agent who has been tasked with reducing Mafia activity in Boston. He sees Bulger as the key to bringing down this stranglehold they have. So Bulger becomes an informant, all the while continuing his own criminal activity.

This success of this film hinges entirely on whether or not you find Depp's performance as Bulger convincing. Unfortunately for me, I wasn't convinced. Yes, he is unnerving, but I wasn't scared by him, which is the whole point. I think that they were relying on his makeup and new look to add to the performance but it did nothing for me. Outside of this, there isn't too much going on. At a stretch you could say that the intrigue surrounding Bulger's manipulation of the FBI is interesting, but not enough to be exciting.

In fact the film seems like it purposefully goes out of its way to be obtuse. There is a whole subplot involving who owns World Jai-Alai, a sport the movie even admits no one knows what it is (unless you're like me and you do know what it is (I lie, I have no idea what they're doing)). I also feel like this film is needlessly violent. I know Whitey Bulger was an incredibly psychotic film, but you don't need to show every single murder he committed. Sometimes implied violence is just as effective. I also feel like the movie dropped the ball with the ending. It is a well known fact that Bulger was apprehended in 2011, yet the film ends in 1995 with an epilogue about his capture.

Because Depp's performance is so dominant here that the others don't really get a look in. Joel Edgerton's is the only one that is on par with Depp, but it isn't very good. Everyone else is really in the background which is disappointing considering the cast. Benedict Cumberbatch, Kevin Bacon, Adam Scott and Rory Cochrane are all fantastic actors, and while they are in a lot of scenes, they aren't the focus of any of them. Corey Stoll is the only minor performance given any notice, which is good because he carries those scenes. Women are hugely under represented with Dakota Johnson and Julianne Nicholson given barely any screen time.

A hugely disappointing and largely unnecessary biopic. It is not at all engaging, so if you want to see a better film about Whitey Bulger, go rewatch The Departed.