Monday 22 April 2013

The Company You Keep

This movie is kind of like The Expendables, but instead of washed up action heroes of the 80s, all the actors are classic 70s stars, some of whom you'll recognise and some of whom you won't, and instead of brutal action, it is a complex thriller storyline.

The story focuses on young hotshot reporter for the Albany Sun-Times Ben Shepard (Shia LaBeouf), who after seeing the capture and arrest of a fugitive wanted for a bank robbery in the 70s, Sharon Solarz (Susan Sarandon), follows the story of trying to find the others involved. One of these suspects is James Grant (Robert Redford). Grant, after seeing the capture of Solarz, decides to track down the other person involved in the robbery, so that he can clear his own name.

This leads Grant on a journey through a web of people from his past, all involved in anti-war and anti-government groups in the 70s. Shepard is figuring out some of these connections himself, but hot on Grant's tail is the FBI, led by Agent Cornelius (Terrence Howard). These three people all have their own motivation for finding the third person involved.

I personally have never been a huge fan of Robert Redford. I've seen a few of his films from the 1970s and his last film that he directed as well (2007s Lions For Lambs) and none of his work has ever resonated for me. I found that this film was just motivation for a lot of actors of his generation to come out and play.

There are some good performances in the cameos. Susan Sarandon is haunted by her past actions and needs closure. Julie Christie plays a still psychotic terrorist. The performances from Chris Cooper (American Beauty) and Richard Jenkins (Cabin In The Woods, still one of my favourites that I will get around to reviewing) are stunning. However brief these performances are, there is a resonance that comes through.

The younger generation get a good representation in this film. LaBeouf has come very far from his Transformers days (until another one comes out). His Shepard is a driven reporter who just wants to know the truth, rather than anything else. Brit Marling, who is a relative newcomer, portrays the daughter of one of the officers who initially investigated the robbery. She is only in a few scenes, but she plays them with conviction.

Verdict: Robert Redford has weaved a complex thriller about the past that is decent enough, but could do better.

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