Classic Movie Review: The NeverEnding Story (1984)

For people of a certain age, this film is considered to be an epic movie for them. Whilst the movie was a while before my time, there was a short-lived animated series in the mid-90s that I watched so I do know the characters without knowing the story.

It is the story of Bastian Bux (Barret Oliver), a schoolboy who has just lost his mother. One day, while being chased by bullies, he finds refuge in Mr Koreander's (Thomas Hill) bookshop. He steals a volume called The Neverending Story and goes to school to read it. He hides in the attic during the day.

In the land of Fantasia, a mysterious force known as the Nothing is swallowing the everything and leaves only darkness behind. At the Ivory Tower, the people of Fantasia have come to see if the Childlike Empress (Tami Stronach). But the presence of the Nothing has made her sick, but she has summoned a powerful warrior known as Atreyu (Noah Hathaway) to find a cure.

Atreyu travels across the land of Fantasia encountering many of it's people. In the Swamps of Sadness, Atreyu loses his horse, only to be then saved by a luck dragon, Falkor (voiced by Allen Oppenheimer), who takes him to the Southern Oracle. The Oracle tells him that he must find a Human boy to give the Empress a new name, thus saving Fantasia.

Meanwhile, in the real world, night time has fallen and Bastian remains in the school attic. As the story progresses, he discovers that he is the boy that must save Fantasia. He has an internal struggle and finally gives in, naming the Empress at the very last moment.

This is one movie that all kids must see (and by that, I mean everyone up to the age of 30). It gave me a feeling of warmth inside because it really does inspire hope for those with big imaginations.

It is amazing to see the pre-CGI effects in this movie. It has a lot of early blue screen images as well as some visual editing techniques that you just don't see anymore. The most fantastic elements are the puppets. To see Falkor interacting with Atreyu in a physical way that is real is amazing to watch.

There are some elements that don't fly in our modern world, and one of those is negligence that adults have. No one cares that Bastian doesn't show up for classes or that he's not been seen all day. Nor does anyone stop the kids who are obviously harassing him in the middle of the day in the middle of the city. And then, an obviously deranged bookshop owner actively starts a child's early shoplifting career. No wonder this kid wants to escape to Fantasia.

One scene that apparently gets everyone sad, is when Atreyu's horse, Artax dies in the Swamps of Sadness. You don't need to cry. We've known this kid for like five minutes when it happens, there's no need.

Verdict: An overall fun movie that everyone has to see. So go out, watch it with your friends, your kids, whoever.

The Company You Keep

This movie is kind of like The Expendables, but instead of washed up action heroes of the 80s, all the actors are classic 70s stars, some of whom you'll recognise and some of whom you won't, and instead of brutal action, it is a complex thriller storyline.

The story focuses on young hotshot reporter for the Albany Sun-Times Ben Shepard (Shia LaBeouf), who after seeing the capture and arrest of a fugitive wanted for a bank robbery in the 70s, Sharon Solarz (Susan Sarandon), follows the story of trying to find the others involved. One of these suspects is James Grant (Robert Redford). Grant, after seeing the capture of Solarz, decides to track down the other person involved in the robbery, so that he can clear his own name.

This leads Grant on a journey through a web of people from his past, all involved in anti-war and anti-government groups in the 70s. Shepard is figuring out some of these connections himself, but hot on Grant's tail is the FBI, led by Agent Cornelius (Terrence Howard). These three people all have their own motivation for finding the third person involved.

I personally have never been a huge fan of Robert Redford. I've seen a few of his films from the 1970s and his last film that he directed as well (2007s Lions For Lambs) and none of his work has ever resonated for me. I found that this film was just motivation for a lot of actors of his generation to come out and play.

There are some good performances in the cameos. Susan Sarandon is haunted by her past actions and needs closure. Julie Christie plays a still psychotic terrorist. The performances from Chris Cooper (American Beauty) and Richard Jenkins (Cabin In The Woods, still one of my favourites that I will get around to reviewing) are stunning. However brief these performances are, there is a resonance that comes through.

The younger generation get a good representation in this film. LaBeouf has come very far from his Transformers days (until another one comes out). His Shepard is a driven reporter who just wants to know the truth, rather than anything else. Brit Marling, who is a relative newcomer, portrays the daughter of one of the officers who initially investigated the robbery. She is only in a few scenes, but she plays them with conviction.

Verdict: Robert Redford has weaved a complex thriller about the past that is decent enough, but could do better.

Oblivion

I think someone is going to have to face some copyright infringement charges soon and if they don't it's a damn shame. Instead of reviewing this movie, I could review about five others, but I'll keep it simple.

Jack Harper (Tom Cruise) is a technician working on Earth sixty years after a race called Scavengers (Scavs, for short) destroyed the Moon and sent the world into disarray. Tsunamis and earthquakes wiped out most of the population, with the rest escaping to a space station (almost like the Death Star), called the Tet. He lives in a tower with his communications officer, and implied lover, Victoria (Andrea Riseborough).

Harper's main job is to maintain drones that patrol the area around massive harvesters, which turn sea water into fusion energy. Whilst out on these missions, he routinely has run ins with Scavs. One day whilst chilling out in his hideaway, he sees a crashing spaceship, where he finds human survivors. One of them is a woman from the dreams he has been having. Turns out this is his wife, Julia (Olga Kurylenko). They are then attacked by Scavs and taken back to their stronghold.

When they get there, the Scavs reveal themselves to be regular humans and that the drones are actually there to wipe out humans. We meet their leader, Malcolm Beech (Morgan Freeman), and his lieutenant, Sykes (Nickolaj Coster-Waldau). Beech initially tries to get Jack to reprogram a drone with a bomb to destroy the Tet. After Jack refuses, Beech tells him to go into the radiation zone for an explanation. Jack and Julia go there only to find a clone of Jack. We find out that there a thousands of Jack Harper and that they really destroyed the Earth.

Jack decides to go back and help the humans destroy the Tet, but not before a big battle that claims the life of Beech. Both Beech and Jack go and destroy the Tet.

Now unless you have seen a lot of sci-fi movies you may not see the copyright problems. Lucky for you, I'm here. This is all just a big budget remake of the 2009 independent film Moon. In that, an engineer on the Moon is weeks away from coming home. His main task is the maintenance of harvesters that extract Helium 3, a clean energy power, from the surface of the Moon and send it back to an overpopulated Earth. Oblivion just reversed that to take it to a Death Star. As the film progresses, we find out that the main character is just one of many clones that gets recycled every three years. Oblivion just does this on a larger scale.

Last week, I read a funny article on HuffPost that showed the similarities between the Oblivion poster and the poster for Top Gun. I thought it was funny and it soon left my mind. The parallels didn't stop there. Jack Harper also is an ace fighter pilot, only this movie lacked Val Kilmer and a volleyball. Keen eyes will spot references to Planet of the Apes and Alien as well.

Now, the acting. Tom Cruise seemed very hollow and distracted in this movie. It's as if the Tripods took it out of him in his last sci-fi film. I am normally a big fan of Olga Kurylenko, but I wasn't too keen on her performance this time around.

Morgan Freeman did his job as an exposition teller and ended the movie in a big bad way. Nickolaj Coster-Waldau (the Kingslayer himself, Jamie Lannister), seemed to be playing future Jamie Lannister with a high power rifle and Academy Award Winner Melissa Leo wasted her talents for a couple of minutes.

This movie did look good though. Lots of great landscapes and worn down monuments we all know. I had a good debate with my friend about whether it was all green screen, but we ended in a stalemate.

Verdict: A blatant rip off of others that came before. I would only really watch for the good CGI. Not too much action.

Warm Bodies

Warm Bodies isn't your average zombie flick, nor is it your average romantic comedy. Yet Warm Bodies seems to fulfil both genres.

Warm Bodies chronicles the story of R (Nicholas Hoult), a zombie who shuffles around an airport and occasionally spends time with his best friend M (Rob Corddry). During a food hunt into the city, R comes across Julie (Teresa Palmer), a human who was out looking for medical supplies. After eating Julie's boyfriend, Perry (Dave Franco), R sees Julie and immediately falls in love with her. He manages to calm her down and takes her to the plane where he lives. The two eventually bond, which causes R to come back to life.

After a couple of days, Julie is anxious to return home and R convinces her to let him join her, only to be abandoned by her. On his way back to the airport, R comes across M, who tells him that he and his group of zombies were kicked out of the airport by the Bonies, a form of zombie that has reached a new level of decomposition. M tells R that all the other zombies have started to come back to life and the Bonies feel threatened by this and that they are looking for him and Julie.

R uses the memories of Perry to find a secret entrance to the city, so that he can tell Julie the good and bad news. Once there, he meets Julie's friend, Nora (Analeigh Tipton), and her bitter and aggressive father, Colonel Grigio (John Malkovitch). R eventually convinces them of the Bonie threat by showing them that he can bleed (zombies don't bleed). Grigio turns his efforts to wiping out the Bonies.

This movie is really funny. Not in a hysterically funny way, but in a sustained and prolonged way, so that you feel satisfied by the humour in it. Most of the jokes come from R's internal monologue about his feelings toward Julie. That's another thing this movie does. It portrays the angst of youth and the feelings you get when you meet someone you like. Also the awkwardness. Lots of that.

Nicholas Hoult (Skins) is amazing as R. His portrayal of a thinking zombie is something that has never been done before and it certainly gives an insight into their motivations. His long and gangly body also helps get in the way of his movements (as we've seen before in X-Men: First Class).

Teresa Palmer (The Sorcerer's Apprentice) fantastically plays Julie. At the start, we see her confusion about R saving her and then how she falls for him. The inner conflict in her character is always there, but her performance is so captivating that you don't notice.

The rest of the cast is rounded out with performances from Rob Corddry (Moses Taylor for you Arrested Development fans out there), Dave Franco (brother of James) and John Malkovich (who still haunts my dreams).

Verdict: Warm Bodies is a really satisfying comedy about a situation that isn't. Not since Zombieland have I laughed so hard at zombies. But that was also it's downfall. No Bill Murray.

Identity Thief

It occurs to me that Jason can only play two characters; Jason Bateman and Michael Bluth. While it may seem that they are two different characters, they aren't that far removed. In this movie, he is definitely playing Jason Bateman.

The plot of this movie is simple enough. Sandy Patterson (Jason Bateman) has his identity stolen by an overweight Florida resident (Melissa McCarthy). Sandy has just become a senior VP at a new financial firm when he discovers the bad news. The police inform him that they can do nothing about it, as it is outside their jurisdiction. Sandy hatches a plan in which he will coerce the other Sandy to confess her crime to his boss Daniel (John Cho). So off he goes to Florida, only to discover that he must drive back to Denver with his detainee.

So what seems like a simple road trip movie is slightly complicated by the fact that the other Sandy (real name Diana) is being followed by both a bounty hunter and two drug dealers controlled by a mysterious prisoner (Jonathan Banks). I found that these characters added an extra layer to the film that was not really needed, but didn't detract from the main storyline too much.

It seems that Seth Gordon has just taken Bateman's character from his last film Horrible Bosses and just put him in a new situation. The jokes in the film aren't hysterically funny, but they aren't unfunny either.

Jason Bateman's character Sandy is a kind of hapless sort who falls into the situation that causes him all this grief very easily. His role here is very much as a straight man to McCarthy, with lots of jokes at his expense about his feminine name. I feel as though Melissa McCarthy is quite up to the standard that she has been in the past. I found the funniest jokes from her were the ones where she tries to sing.

There were a few good cameos from Jon Favreau, Eric Stonestreet and Jonathan Banks (of Breaking Bad fame, fans of that character will recognise him instantly), but all these characters stories never got resolved and it would have been good just to have a round up of them in the closing credits.

Verdict: It's a bit of gamble seeing this movie. You could find McCarthy's antics hilarious or grating. It works well as a road trip movie, but Todd Philips has done better.

The Incredible Burt Wonderstone

I'm the kind of guy who loves magic. I can really buy into the illusion (thank you to Gob Bluth for teaching me that), so I was expecting to go into this movie and be blown away with a magical comedy. Don't be fooled. Just because you see Steve Carrell on the poster, don't think, he's funny, I'll go see that. Really think about it, is there something else better showing? Maybe you'd like that more.

This movie is, for the most part, largely unfunny. If it had of been a drama about an older Vegas magician who had to compete with the younger generation of magicians and was forced to return to his roots to find his passion for his craft again, I would definitely go see that. Instead we get a comedic version of just that.

Burt Wonderstone (Steve Carrell) is a 40 year old magician, who has been performing in Vegas for the last decade with his partner Anton Marvelton (Steve Buscemi). This pair is an obvious reference to the stage magicians Siegfried and Roy (there are multiple references to them throughout the film). Wonderstone's passion for magic has dwindled and he is constantly fighting with Anton when they are offstage. The only thing he uses his act for is sleeping with impressionable young women, rather than entertaining people.

One afternoon, Burt and Anton come across street magician Steve Gray (Jim Carrey), as he films an episode of his show Brain Rapist. This is undoubtably a nod to illusionist Criss Angel. Upon seeing this new act, Burt's boss, Doug (James Gandolfini) gets Burt and Anton to come up with a similar sort of life threatening stunt. Anton comes up with the idea of being suspended in plexiglass box for a week.

This act ultimately fails and the two go their separate ways. Burt ends up getting a job entertaining seniors at a retirement village, where he connects with retired magician Rance Holloway (Alan Arkin). Holloway rekindles Burt's love for magic, which is perfect timing because Doug is opening a new hotel and casino, where he is auditioning magicians for the headlining act. Cue predictability.

Steve Carrell has created a very unlikeable character. I wasn't sure if he was supposed to become likeable at the end, but I didn't find him so. I wish I could say more about Steve Buscemi, but he doesn't have a lot of time for character development.

The saving grace of this film are performances by Jim Carrey and Alan Arkin. It was very funny to see Carrey channel the new type of magician that has come about in the last decade. Alan Arkin is also a great comedian, but an actor of his calibre shouldn't be drawn into the likes of this film.

Wonderstone's love interest is wannabe magician Jane (Olivia Wilde). I think I would have found their relationship more believable if it had remained platonic. The chemistry between the two wasn't really working even though Wilde is an actress of incredible range. Likewise, the relationship between Burt and Holloway was lacking, although there was great potential given the two actor's track record with each other (Little Miss Sunshine). One cameo that did make me smile was Jay Mohr as a magician struggling to get shows.

Verdict: Ultimately this comedy failed because of a dodgy plot and the fact that it tried to walk a line between a family comedy and trying to be edgy.

Oz: The Great and Powerful

Since Judy Garland first explored the land of Oz in 1939, there have been many sequels and various different interpretations of the original. Sometimes ranging from the straightforward (Return to Oz, it is very dark though) to the wacky (Zardoz, Tin Man, The Wiz, the list is endless). Most of these films and  stage performances take place after the events of the original film, in which Dorothy or some other young girl is swept off to the land of Oz.

But Sam Raimi (of Spiderman and Evil Dead fame) has created a story which I have always wondered about. It is that of the titular wizard. Oscar Diggs (James Franco), or Oz, as is his stage name, is working for a traveling circus in Kansas with his assistant Frank (Zach Braff). One stormy afternoon after a show, Oz is confronted by the circus' strongman and escapes via a hot air balloon. However, this balloon proceeds straight into a tornado that transports him to the land of Oz (like there's any other way to get there).

Once there he meets Theodora (Mila Kunis), a witch who lives in the Emerald City with her sister, Evanora (Rachel Weisz). They inform him of the prophecy laid down by the previous ruler, that a wizard would come to claim the throne and defeat the Wicked Witch. Evanora convinces Oz to go and defeat the Wicked Witch and also tells Theodora that Oz has left her for Glinda (Michelle Williams), who we find out is the Good Witch. 

Once Oz discovers that Glinda is a good witch, whose father was murdered by Evanora, she convinces him to help defeat the real threat to the land. Meanwhile, Evanora has given Theodora an enchanted apple that will take away the pain of Oz leaving her. This also transforms her into the Wicked Witch of the West that we all know and love.

Oz must create an army that he will lead to the Emerald City. He does this with the help of his friends Finley (Zach Braff again), a not so scary flying monkey, and China Girl (Joey King), whose story arc is amazingly touching. He also has help from the people of Oz, namely farmers, tinkers and everyone's favourite Munchkins (who are only permitted half a song). They all then march on the Emerald City for the final confrontation with the evil sisters.

It is worth mentioning that the first 15-20 minutes of the film is black and white and is not widescreen. This is a great callback to the original film and, like that one, once the land of Oz is reached, colour and widescreen are restored. There are a number of other references to the original film, such as a cowardly lion and many scarecrows. I was waiting for the trifecta of a Tin Man, but alas there was none.

Also, like in the original film, many of the character's introduced to us in Oz have counterparts in Kansas. Finley is Oz's assistant Frank and China Girl is a wheelchair bound girl who comes to watch Oz's magic show.

One terrifying aspect of this film is the monkeys, as no trip to Oz is complete without them. If you were scared by the flying monkeys of the original, or even the nightmare inducing wheelers from Return to Oz (really horrifying stuff), there is no respite in this movie. Here, they are baboons with giant bat wings and are just plain terrifying.

Verdict: A proper return to Oz, with all the elements of the original film (minus the singing).

This post originally appeared on Mosca Media.