Showing posts with label Zoe Saldana. Show all posts
Showing posts with label Zoe Saldana. Show all posts

Friday, 3 February 2017

Live By Night


Okay. I know that Ben Affleck is incredibly famous and therefore can pretty much do whatever he wants now. But I went to see this film with a good friend of mine and we both left more than a little baffled at how this film was bungled so badly, so apologies if this review seems a little lost in translation. I’ll do what I can to try and make sense of this Batfleck rollercoaster and maybe it’ll help me understand it better? Here goes nothing.

Set in the 1920’s, Live By Night follows the life of ‘good man’ Joe Coughlin, who becomes disillusioned with the life of rules and laws after his time serving the war in France. Upon his return home he turns to petty crime and robberies, which he executes with his trusted partner Dion (Chris Messina). Although content in this life, Joe’s father and Chief of Police Thomas (Brendan Gleeson) warns him that his bad deeds will come back around. In particular, Thomas is concerned about Joe’s fraternising with Irish mob boss Albert White’s (Robert Glenister) mistress, Emma Gould (Sienna Miller). When their affair is discovered Joe is beaten almost to death, and after serving time seeks out revenge on White by joining his rival, Italian mob boss Maso Pescatore (Remo Girone). From here, Joe and Dion set up shop in Florida and attempt to make a living illegally transporting rum to Pescatore’s speakeasies, however seem to run into trouble at every turn. Conquering the coast while prohibition is still in full swing, the pair must make decisions about what is more important to them: money or morals. The film also attempts to discuss issues of love, loss and family, while being surprisingly funny in moments.

The positives: The amount of historical references this film has is actually pretty cool. Its clear that Affleck was trying to be as accurate as possible, and although he fell a little short of the mark at times, it still made for a lot of interesting plot twists in the film. The acting from Messina, as well as Elle Fanning’s role as Loretta Figgis (the daughter of Florida Chief of Police) really stood out as both comic relief and symbols of purity in the world of skewed morals respectively. As well as this, the acting from both of the major mob bosses (Girone and Glenister) was also gritty and at times genuinely frightening. However, of all the scary things about this picture, the worst is that its still surprisingly relevant to the world of today. With issues of race relations, dirty cops and even the Ku Klux Klan making an appearance, this film feels as though it speaks to a lot societal issues, even though its set back in the 20’s and 30’s. Its actually a little depressing to think about, but its true.

The negatives: How do I even begin to talk about the plot of this film? Although the subject matter and characters were interesting (partly because I’m a sucker for 1920’s history), after about 40 minutes in the entire setting changes and it feels as though you’re watching an entirely different film. There were parts of the dialogue that felt unnecessarily convoluted, and plot points that came out of left field and left me struggling to keep up. In short, some of the most interesting parts of the movie didn’t revolve around Affleck’s character, most of the female characters were simply used as pawns for the males, and there were other bits that just felt slow and ruined a lot of the fun of the action, like the chase scenes and shootouts. All in all, the film felt like it was edited poorly and the scriptwriters hadn’t been given enough time to work out the kinks, which is a shame because this could’ve been a really great film had it been thought through more.

If you’re like me and you love the 1920’s era, or maybe you’re just an Affleck fan, you might enjoy this film. But its definitely not worth a watch in the cinema and its messy setup really let it down. Hopefully we’ll see better from Affleck in the future.


Wednesday, 27 July 2016

Star Trek Beyond

After the darkness that was the last Star Trek movie, the franchise has taken a much lighter turn. This can only be expected when you team up Justin Lin, director of the Fast & Furious movies, and Simon Pegg, who wrote the script. This tongue in cheek approach is a much needed thing in the current Hollywood climate, but is also a step away from the general nature of Star Trek which might upset long time fans.

The crew of the Enterprise are more than halfway through their five-year voyage through space and have stopped at deep space station Yorktown for some much needed respite. James T. Kirk (Chris Pine) is questioning his place as captain and applies to be the Vice Admiral of Yorktown. But that process is stalled when an escape pod drifts into the Yorktown space and the survivor on board claims that her ship was attacked in a nebula and are being held on a remote planet. Kirk and his crew go to the planet only to be attacked themselves. It turns out that the alien Krall (Idris Elba) was after a part of a superweapon that Kirk has. Luckily, another alien prisoner Jaylah (Sofia Boutella) is able to help figure out how to save the day.

What made this movie really work for me was the simplicity of the plot. It's a very basic rescue mission/escape movie. Pegg has written a script that really allows for focusing on the characters rather than getting bogged down in a story that is steeped in Star Trek lore. This also means that we get to see characters grow in and develop in this new universe. Simon Pegg also infuses the movie with plenty of humour that pleases both fans Pegg and these movies. One such example is when they use the Beastie Boys 'Sabotage' to save the day and refer to it as classical music. Justin Lin is also very adept at filming action and there is a lot more on the ground action than spaceship fighting, but that's what he does so well.


Due to Pegg's familiarity with his castmates, he has written a script that definitely plays to their strengths. One of these recipients is Karl Urban, which is good because Bones is definitely my favourite character. Also the character of Sulu is padded out a little more, as he given a husband and a daughter. While there has been an outcry against this, it doesn't harm the story at all and actually made me feel more a character who has been relegated to the background in the other two movies. There was a point where I was listening to Krall speak, and I wondered whether it was Idris Elba. No, I thought, he's not in this. Turns out he is, but still his performance isn't up there with some of the ones he's given in the past. Newcomer Sophia Boutella makes the character Jaylah very likeable.

In our current world of gritty reboots, Star Trek Beyond is a fun, bubbly adventure. Sure, it is part of a series that historically has taken itself very seriously, but this time round it's just a lot of fun to watch Captain Kirk and his pals wisecrack their way through the action. Also, the massive inside out planet that is Yorktown is really a wonder to see.

Thursday, 7 August 2014

Guardians of the Galaxy

Before I get into the film itself, I have to just say that I'm absolutely sick to death of Marvel's releases. I used to really like their characters but with film after film, franchise after franchise, I feel that they've really diluted in quality and have over-saturated the market to the extent that I now don't want to see any more superhero movies, even from DC or any of their other competitors. Not to mention all the good that their hyper-budgets could do with smaller productions and better script treatments. Anyway, rant over. It's time to see how their latest release Guardians of the Galaxy stacks up!

In 1988, Peter Quill (Chris Pratt) is abducted from Earth, with only a Walkman and a present from his mother as possessions. 26 years later he steals a sought-after orb that lands him in prison, before he teams up with a tree-like humanoid (Vin Diesel), a genetically engineered raccoon (Bradley Cooper), an orphaned alien (Zoe Saldana) and a pissed off guy with tattoos (Dave Bautista) to escape, sell the orb and hunt down Ronan the Accuser.

The plot wasn't quite as convoluted as I was expecting, but was still as ridiculous as in most Marvel films. Having said that, it's really nice to have some fresh characters in the mix, instead of the constant rinse and repeat that we've become accustomed to. It's also great to have more of a pure sci-fi film from Marvel.

There's plenty of decent humour to keep it rolling along, although some of it is a bit cringe-worthy and there were also several jokes (such as the fact that Groot can only say "'I am Groot") that were repeated to death, which got tiring very quickly. But other than a few cliches here and there, and an ending that seemed to go on and on, the plot's really not that bad and is enough to keep you entertained throughout.

There's also nothing particularly wrong with the casts' performances but at the same time, they're nothing special. The only two characters which I actually enjoyed were Rocket (Bradley Cooper) and Peter Serafinowicz's character, Denarian Saal (mainly because it's Peter Serafinowicz), and they were basically the two biggest arseholes in the whole film.

Of course, with a budget of $170 million, it's going to have plenty of eye-candy, and trust me, you won't be disappointed. It's absolutely jam packed with explosions, lasers, spaceships and a CGI racoon, whether that makes up for all it's issues depends on what sort of sci-fi films you enjoy. If you're a fan of Michael Bay, this film will blow your mind with it's strong presence of plot!

At the end of the day, it's a big-budget blockbuster with tonnes of special effects that look fantastic and jokes that will keep you watching. I quite enjoyed this but it still doesn't change my stance on Marvel.



Tuesday, 8 July 2014

New 'Guardians of the Galaxy' Stills

After the release of new trailers for Guardians of the Galaxy over the weekend, Marvel has provided Empire Magazine with exclusive stills from the set of the film. Guardians of the Galaxy is slated for release in the next couple of months, depending where you live. What do you think of the new stills? Do they tantalize your interest in the film? Head to the Empire article link below to see all of them.




Source: Empire Online

Sunday, 12 May 2013

Star Trek Into Darkness

One of my best friends brought up a good point during the last Star Trek movie, why are they always setting their phasers to stun. He argued that they must be set to kill just in case and only set them to stun when the threat level isn't that big. Well in Star Trek Into Darkness, the crew of the Enterprise rarely set them to stun.

When we pick up the story, James Kirk (Chris Pine) has been Captain of the Enterprise for some time. After a botched expedition, Kirk is demoted to Commander and Mr. Spock (Zachary Quinto) is reassigned.

Meanwhile, there has been a terrorist attack on a London Starfleet post, masterminded by the mysterious John Harrison (Benedict Cumberbatch). The leaders of Starfleet decide to declare a manhunt to track him down. After an attack on Starfleet Headquarters in San Francisco, Kirk and the Enterprise are charged with taking him down.

I found that although this movie was action packed, I found it to predictable at parts and too much of a carbon copy of the last movie. There are also elements from The Wrath of Khan, but only Trek fans will pick up on them. There are action cues, emotional cues and comedic cues which are hit at the right times. It's almost as if J. J. Abrams was making this movie with a formula that he has perfected.

The only really good acting of note came from two of the British cast members. Benedict Cumberbatch is cold and calculating as Harrison and I really felt like he was capable of killing without remorse. Simon Pegg is hilarious as Scotty, but that is a given as he is one of the comedic relief characters and considering his relationship with Star Trek (he did a whole comedy series called Spaced), he definitely has the chops to pull it off. I felt as though the third British cast member didn't really have anything to offer. Alice Eve plays Dr. Carol Marcus, a Starfleet doctor who sneaks aboard the Enterprise. I felt as though she was just a damsel for Kirk to save.

The other comedic element comes in the form of Leonard McCoy (Karl Urban), or more properly, Kirk's interaction with him. McCoy is always there giving Kirk advice in the form of elaborate metaphors or pointing that he is a doctor, not a bricklayer, rocket scientist, gym teacher, etc. There are also some humourous lines when Kirk makes reference to the fact that Spock is, in fact, a Vulcan.

Verdict: It was chock full of action sequences and lens flare, but ultimately this is just another voyage of the starship Enterprise.

Jasper Roberts Consulting - Widget