Dope

I've never seen a movie that handles racism as subtly as Dope. Movies like American History X and 12 Years a Slave advertise up front that they are about racism and how bad it is, but never really highlight the real life effects that everyday prejudice and stereotypes have.

Malcolm Adekanbi (Shameik Moore) is by no means a popular kid. He and his friends Diggy (Kierson Clemons) and Jib (Tony Revolori) are into things that others from their neighbourhood aren't, like old school hip-hop and trying to get into college. One day after school, Malcolm gets caught up in a discussion between local drug dealer Dom (A$ap Rocky) and his girlfriend Nakia (Zoë Kravitz) and inadvertently gets invited to Dom's birthday party. After a rival gang attacks the party, Malcolm discovers big packages of MDMA in his backpack. Unknown to him at the time, Malcolm meets the true owner of the drugs who tells him the best thing to do would be sell the drugs and pass the profits onto him.

This movie really highlights the lack of opportunity that black kids have growing up in poorer neighbourhoods. Even if they get good grades and work really hard to try and make something of themselves, there is still external pressure and questioning of why someone like Malcolm would want to do this because the expectation is that he would become a drug dealer. Each of the main characters have moments where they become something that is the complete opposite of who they are. Malcolm has a moment where he brandishes a gun at some gang members, normally super confident Jib has a breakdown when they find that they are in possession of the drugs and rich kid Jaleel tries to be a gangster, getting into a gunfight with some gang members.

Shameik Moore makes a huge splash with his first lead role in a movie. Malcolm is an extremely likeable character and that's because Moore's performance gives the character so much depth. Tony Revolori is once again a joy to watch, as is Kiersey Clemons. Both A$ap Rocky and Tyga give great performances which is something that I was surprised at and Blake Anderson plays his stereotypical stoner with much joy again.

One thing that this movie really has going for it is it's amazing soundtrack. Filled with songs by the likes of Public Enemy, Nas and Naughty By Nature, all artists Malcolm considers to have been made in the golden age of hip hop. It also features some great songs from the band that Malcolm and his friends are in, written by Pharrell.

An amazing and truly insightful film that is enjoyable on the surface level, but once you look at the message that it's trying to tell you, it becomes even better.

The Grand Budapest Hotel

If there has ever been a more esoteric film, The Grand Budapest Hotel is it. All the fans of Wes Anderson's films will immediately pick up on the formalities of his work and enjoy the film immensely. But don't think that if you haven't seen any of his films previously that you won't see it because you'll be missing out on some larger picture. Rather, it is a great introduction to his world. I think that may have to do with Ralph Fiennes, who comes fresh to the films of Wes Anderson.

Indeed, the majority of the film falls on the more than competent shoulders of Fiennes. This film, however, is a huge departure for him as he usually plays insidious characters (Harry Waters in In Bruges, Amon Göth in Schindler's List, Voldermort in the Harry Potter films). He plays Gustave H., the bubbly concierge at the titular hotel, where he wines and dines many of the older female clientele. One such guest, Madame D. (the wonderfully enigmatic Tilda Swinton), ends up being murdered and Gustave is the prime suspect. This is after he becomes the most profitable recipient of Madame D.'s will.

To help Gustave clear his name is the young lobby boy Zero Moustafa. He is played by the talented young Tony Revolori, for whom this is his first major role. He and Fiennes make an excellent comedic duo playing off each other perfectly and you can feel as though the role of mentor that Fiennes takes up must have spilled over to reality.

A lot of the humour in the film comes in very punctuated moments that are both absolutely absurd and shocking. But there are a lot of jokes that are very quick and funny, mainly quips spouted by Gustave, a lot of them to do with poetry or advice for young Zero.

Of course there are a huge number of other people in this film. F. Murray Abraham plays an older Zero and gives the film some of it's more emotionally insightful moments. Adrien Brody's foul-mouthed Dmitri also gives the film some more comedy as his swearing at times seems completely unwarranted (I should know).

From a technical standpoint this is a fun film to watch. Anderson's trademarks of models and fixed camera angles are all here, but the the most enjoyable thing about the film is that it's aspect ratio changes throughout the film. This has largely to do with the fact that the film is a series of flashbacks piled on top of each other.

Verdict: A hugely enjoyable film for everyone to watch. It is fantastically funny and at the same time has some beautifully reflective scenes. Watch out for the Schindler's List reference toward the end.