Macbeth

Shakespeare has been a fixture of adaptation since the birth of cinema. Whilst there have been many attempts to modernise his works, the best adaptations have come when they make a straight adaptation (two great examples that come to mind are Oliver Parker's Othello and Ralph Fiennes Coriolanus). Australian director Justin Kurzel's latest film Macbeth follows this strong tradition.

In the closing battle of a bloody civil war in Scotland, Macbeth (Michael Fassbender) proves his loyalty to King Duncan (David Thewlis) by killing the treacherous MacDonwald (Hilton McRae). After the battle, Macbeth and his friend Banquo (Paddy Considine) come across three witches who tell Macbeth that he will be king and that Banquo's children will be kings. Macbeth is lured into killing Duncan by his wife Lady Macbeth (Marion Cotillard) so that he can become king, but only after Duncan's son Malcolm (Jack Reynor) flees to England. Once Macbeth becomes king, Duncan's closest ally Macduff (Sean Harris) begins to suspect Macbeth's involvement in the old king's death. At the same time, Macbeth is haunted by what he has done and descends into madness.

It is very hard to fault one of these adaptations on its story. There is little you can do to make the story better than what has been written. So therefore they must be judged on the performances and technical aspects. Luckily this film excels in both areas and that is largely due to the fantastic direction of Justin Kurzel.

The most important part of this film is its performances. You really need to be able to cast the right actors for the roles because people know the characters so well. Choosing Michael Fassbender was a genius move. He has the physicality to carry the battle scenes as well as the vulnerability for the madness scenes to be genuine. Marion Cotillard was good, but I felt as though she didn't have enough of a villainous attitude. Sean Harris is amazingly scary and brutal as Macduff. While both Paddy Considine and David Thewlis have rather short roles they both have a great screen presence. Elizabeth Debicki does a great job with her small role as Lady Macduff and Jack Reynor does the same. The problem that a lot of people are going to have getting into this movie is the thickness of the Scottish accents. This combined with the language of Shakespeare can make for some tough viewing.

Technically, this film is a masterpiece. The locations chosen in the Scottish Highlands are beautiful as is Bamburgh Castle on Northumberland coast. Kurzel employs a lot of frame rate experimentation with this movie as well, which gives it an almost ethereal quality. The battle sequences are all shot in super slow motion which heightens not only the tension and action, but also visceral emotion in the scenes. He also uses time lapse in a great scene when Macbeth is descending into madness, wandering around his chambers.

Even if you're not a fan or unfamiliar with the works of Shakespeare this is a great entry point, despite the fact that it can be a little difficult to follow at times. It's an even better if you do like the play, but it's not at all a prerequisite.

Jack's Thoughts - Mission: Impossible - Rogue Nation

My face after leaving this movie

While Ed praised the latest Mission: Impossible instalment, he admitted that he wasn't the resident fan of the series. That's where I come in.

I said in my review of the first Mission: Impossible film that the franchise began as Hollywood's response to James Bond. Five movies in and they have cemented that fact, whilst becoming their own thing entirely.

I'm not going to go into plot details because you can read those on our official review. This is just going to be me explaining how much I love this movie and the reasons why. The first being the plot. I know, I know, I wasn't going to go into it and I'm not. But this movie's plot works really well. The franchise is known for its twists and turns, some you see coming and some you don't. All in all though, it's one hell of a roller coaster ride that will keep the adrenaline running throughout the entire film.

Secondly, Tom Cruise. Say what you will about him having an insane private life, but that doesn't distract from the fact that he is a really really good actor. And that stems from the fact that he loves what he does and it shows in his performances, but none so more than the character of Ethan Hunt. Hunt is Cruise's own character that he has perfected over the last twenty years and no one else could play him, making him the complete opposite of James Bond. What I love about Hunt in relation to Bond is that while he is almost an unstoppable machine, he is also infallible. Right from day one, the character has found himself in more dire situations than any character and Cruise puts himself in those situations for the authenticity, such as hanging off a flying plane. Insane!

Now specifically this movie is great because it is entirely self-referential to the entire series. There are overt and covert references to every movie, from a rabbits foot to a super subtle reference to chewing gum that will only appeal to die hard fans of the series. The film also throws in the famous mission giving sequence, but with a huge twist, thus throwing the entire conceit on its head. We also have a huge number of jokes about how this mission can't quite be impossible.

But what about all the other great characters in this movie. Well, as Ed said, Benji (Simon Pegg) is the stand-in for the main audience, always amazed at Ethan's complete and utter insanity as well as caring for him (although I have always found Ethan Hunt the more relatable character). Luther Stickell (Ving Rhames) is the other hallmark of the series bringing his dry, but funny charm to the movie (he also represents the long standing fan of the films). Brandt (Jeremy Renner) represents the audience members who try and think about these movies from a rational point, but failing to do so and in the end coming around to see things "the only way".

That brings me to the character of Ilsa Faust (Rebecca Ferguson). Instead of playing the usual "Bond girl" of the Mission: Impossible series, she is presented as a female equivalent of Ethan Hunt. She is often as ruthless as he, but her motives are also the same. What I love about this movie in particular is that there is no sexual element between Ethan and Ilsa as there has been in the past movies. He truly respects her and sees her as an equal, which I think is a huge step forward for a big Hollywood movie like this.

"Your mission should you choose to accept it...." is find a bigger fan of this film series than me. Because Rogue Nation just cemented my already strong love. I might even go so far as to say I love it more than Bond....

Mission Impossible: Rogue Nation

Smashing through the box office gates every few years comes the latest Mission Impossible flick, America's answer to Bond, just with less kissing and more gadgets. Mission Impossible: Rogue Nation hits screens this week with writer/director Christopher McQuarrie at the wheel. Will this prove to be the latest capstone in a strong series, or is Ethan Hunt getting as tedious as a school band playing the Mission Impossible theme?

After years hunting a mysterious group known as the Syndicate, Ethan Hunt (Tom Cruise) believes he has enough proof to confirm their existence. When reporting to a secret IMF station about his interception of a nerve gas shipment, he is captured by the Syndicate. Escaping in usual brawling fashion, he is assisted by a disavowed British agent Ilsa Faust (Rebecca Ferguson), and pursues the elusive blonde man that he saw just before he was captured, Solomon Lane (Sean Harris).

After a senate committee finds their actions reckless, the IMF is dissolved, with CIA director Alan Huntley (Alec Baldwin) picking up the pieces. William Brandt (Jeremy Renner) and Benji Dunn (Simon Pegg) are questioned about the whereabouts of Hunt, now a rogue agent, but neither crack and Ethan continues to evade capture. He tricks Benji into flying to Vienna for the Opera, however in reality it's a ploy to get Dunn's assistance in taking down the Syndicate. The two team up with Ilsa to infiltrate a high-security server that should assist them in tracking down Lane.

I'm not our resident MI fan, but having caught up on Ghost Protocol before meandering into this fifth installment, I was ready for some tense action, and it's safe to say that I wasn't disappointed. The pace is set in the opening sequence, which sees Hunt clinging for dear life to the side of a cargo plane as it takes off. It might not quite trump the Dubai skyscraper scenes from the previous film, but the tension remains palpable, especially when you realise that this was done for real, by cruise. This is followed up by a dramatic fight at the opera, claustrophobic chase sequences through the streets of Morocco and a free-dive into a giant water-cooled computer mainframe.

It's exhilarating stuff, as you would expect from McQuarrie (writer of The Usual Suspects and Valkyrie) and regular action-cinematographer Robert Elswit. The plot can turn on it's head without warning - as is typical with the series - leaving you constantly second guessing the motives of the array of different characters, and as long as you don't over-think it then it's great fun to follow along with. Although at times you do find yourself glossing over the current story and sitting back to anticipate the next action sequence, testimony to the effectiveness of the action.

Cruise continues to cheat his way through the ageing process, seemingly still in peak physical condition. He punches, kicks, dodges and flips his way through his enemies and of coarse, still does his own stunts. Benji and Ethan work closer than ever here as the IMF struggles to find solid ground yet again, and Pegg continues to be the most likable character in the series. Benji is ultimately the nerdy kid's channel into this world, operating his vast array of gadgets with occasional precision. Rebecca Ferguson's Ilsa is fast and nimble, taking down any enemy brute thrown at her, and Renner's Brandt....well he's sometimes useful. This seems to be a common issue with a lot of the supporting cast, namely that they really don't do that much. Alec Baldwin cracks open his 'annoying useless obstacle' persona which I haven't personally seen him do since the awful The Cat in the Hat film, and Sean Harris transforms into the stock-standard turtle-necked bad guy. His character develops less as a man who you expect to be foiled by his own heinous ambitions, and more as a lemming lining up waiting to be thrown off the cliff.

But the character assassinations are just nit-picking for an action film like this. Ultimately, Mission Impossible: Rogue Nation is a solid and visceral addition to the franchise that will keep you thoroughly entertained.

Deliver Us From Evil

Director Scott Derrickson seems to be drawn to horror. At least that's the genre that he fits best in. Both Sinister and The Exorcism of Emily Rose are the standout films of his directing career. Deliver Us From Evil is probably not his best foray into the genre so far, but has great performances and a well-executed script that he co-wrote with Paul Harris Boardman.

Eric Bana plays Ralph Sarchie, a tough cop working in New York's south Bronx. He gets pulled into a case which leads him to meet Mendoza (Edgar Ramirez), who believes the case is demonically related. This pushes Sarchie's beliefs to the limit.

This is based on the real life Sarchie's non-fiction book 'Beware the Night'. While I like to believe that what I'm watching can happen in the world in which a movie exists, I find it very hard to believe that these things (demonic possessions and the like) actually occur in real life, but I'm not going to get into that.

The scares in this movie are pretty straightforward. Anyone with common sense would know when they are coming and get ready for them. I will, however, award points to this seeming mash up of cop and possession movies. I do applaud the original approach to the exorcism scene, it takes place in a interrogation room.

Most of the performance are really good. Eric Bana is a really subtle actor and felt believable in this role. I really felt as though the relationship between him and his daughter was genuine. Edgar Ramirez could have easily gone over the top playing a priest who performs exorcisms, but he was quite restrained.

Joel McHale is fantastic but slightly too generic as Sarchie's fast talking partner. Sure he has skills with knife, but when you fall into the same sidekick cliche maybe this isn't the role for you. Olivia Munn just floats around in the background looking good, but not really contributing anything.

Verdict: Cool story and idea, but not much too many good scares. A decent cast does lift it up.