Showing posts with label Rinko Kikuchi. Show all posts
Showing posts with label Rinko Kikuchi. Show all posts

Thursday, 16 January 2014

Classic Movie Review: Babel (2006)

In the late 90s to mid 2000s, a swath of films that were made up of interconnected stories were released. Unlike these other movies, like Traffic, Crash and Lock, Stock and Two Smoking Barrels (all of which are fantastic), Babel took this film structure and made a far greater film. Maybe it's the lack of an ensemble cast (with only two big actors known two mainstream audiences) or maybe it's the plausible storyline that plays on the audience's fears that make this an excellent film.

The film takes place in three different locations around the world and focuses on four groups of characters. The first group of characters are Moroccan goat-herders. Abdullah (Mustapha Rachidi) buys a rifle from one of his neighbours to shoot jackals that prey upon his herds. He gives the gun to his sons Ahmed (Said Tarchani) and Yussef (Boubker Ait El Caid) when they go into the hills. The two brothers begin to fight about who is a better marksman and end up shooting at a bus full of tourists. This is called an act of terrorism by the United States and there is pressure on the Moroccan authorities to find the culprits. The police eventually track down Abdullah, Yussef and Ahmed. Ahmed is shot and killed by the police, at which stage Yussef gives up and surrenders to police custody.

Richard (Brad Pitt) and Susan (Cate Blanchett) are two American tourists on holiday in Morocco. Susan is increasingly worried about getting sick from poor hygiene in what she considers an unclean country and is desperately missing her children back home. While they are on the tour bus, a gunshot hits Susan in the neck. Being too far to get to any major cities, the tour guide suggests that they go to his village which is closer, much to the apprehension of the other tourists. The busload of tourists eventually decide to leave Richard and Susan in the village. They are later airlifted out and taken to the US embassy.

Back in America, Amelia (Adriana Barraza) is looking after the children of Richard and Susan. She is trying with some difficulty to find someone to look after the children while she goes to Mexico for her son's wedding. Her nephew, Santiago (Gael Garcia Bernal) suggests that she brings the children to Mexico. On the way back, there is some confusion at the border and Santiago, who has been drinking, makes the mistake of driving through the border and into the US, prompting a chase in the night. Santiago stops the car and tells Amelia and the children to stay there and he'll come back for them. Amelia and the children stumble through the desert and get separated. Amelia gets found by the border patrol, who also find the children. Amelia ends up being deported to Mexico for working as an illegal immigrant within the US.

The final story, which is seemingly unrelated to the rest of the film, follows Chieko Wataya (Rinko Kikuchi), a deaf-mute schoolgirl from Tokyo. She is self-concious about her disability and tries very hard to get the attention of boys when she is out with her friends, as she wants to lose her virginity. All the attempts she makes are unsuccessful. A young police officer, Kenji Mamiya (Satoshi Nikaido), has been asking to question her father. Chieko believes this is to do with the suicide of her mother, but it is in fact to do with the ownership of the rifle used to shoot Susan in Morocco.

Now that the plot's out of the way, we can finally talk about the rest of the movie. First off, I love the symbolism of the title of the movie. In biblical terms, the Tower of Babel was built by humanity who had a united language and believed that they could reach God if they built a tower. As punishment, God made all the people on Earth speak a different language. One of the major themes in this film is being able to communicate with one another, whether it be Richard trying to tell the Moroccans what is wrong with his wife or Chieko being able to communicate with anyone.

I really like the casting in this film. Brad Pitt is fantastic and gives one of the best performances of his career, although we see very little of him. Likewise, Gael Garcia Bernal gives a fantastic performance, but he is not in the film for long. The two standout performances come from Rinko Kikuchi and Adriana Barraza. The scenes in which Barraza is walking listlessly throughout the desert are fantastic. Kikuchi is also fantastic and it is her story that I can relate to the most. Having a disability myself, I watch the story of Chieko and I can see parallels between that story and my own teenage years.

Surprisingly, that is not the only story I can relate to in this film. I too have been injured in a country where I don't speak the language and although my injury wasn't as bad as being shot, you do feel a certain helplessness in being unable to communicate what you need. Perhaps this is why this film resonates with me, because half of the movie's plot is recognisable.

The soundtrack for this film really sticks out for me too. Gustavo Santaolalla's score is fantastic and his use of guitar makes the film even more evocative. All of the Mexican music played at the wedding is fun to listen to and it makes me want to travel there all the more.

Verdict: A powerful movie that makes you think about how small the world has become.

Sunday, 14 July 2013

Pacific Rim

Is your giant monster making too much noise all the time? Is you giant monster constantly stomping around, driving you crazy? Is your giant monster clawing at your buildings? Think there's no answer? You're so stupid, there is! Giant robots! Is your giant monster fat, skinny or an in between? That's okay because one size fits all.

In the near future, a portal to another dimension is opened in the deepest part of the Pacific Ocean and from it come massive monsters called kaiju (Japanese for monster). Mankind quickly develops a defence in the form of jaegers (German for warrior), giant robots that are piloted by two people who share a neural link with the onboard computer. Although initially successful, the program begins to fail and in an all out effort to destroy the portal, mankind decides to drop a nuclear weapon into it.

The action is visually impressive. Although Guillermo Del Toro usually uses practical effects, he instead opted for CGI as this film is on such a huge scale. The fights between the jaegers and kaiju look really cool and this film is a definite homage to the early Godzilla flicks, mainly Godzilla vs MechaGodzilla (one of the best in the series).

Del Toro is also renowned for creating rich and diverse worlds, especially in both Hellboy and Pan's Labyrinth. It is enjoyable to see kaiju body parts being sold on the black market and that whole area of the underworld seems to be a trademark of his.

Most of the cast is pretty ordinary, but the saving grace of the film is Charlie Day (It's Always Sunny). I know I seem to go on about him a lot, but he genuinely is a fantastic actor. He plays a doctor researching the kaiju and he has a manic enthusiasm about the monsters. It got to one stage in the film where I was just waiting for the next scene with him in it.

Overall, the story is pretty predictable and the films two hour run time was a bit too long for me. There is a lengthy introduction to world in which the characters live, which was cool, but once the plot started proper, the film went downhill fast.

Verdict: I feel as though Del Toro has let down his fanbase with this film. I am used to seeing more ambitious smaller films from him and felt as though this film was too big for him to grasp. The majority of my points go to his use of Charlie Day.

Jasper Roberts Consulting - Widget