The Martian

    "I'm Mark Watney and I'm still alive...obviously"

The red sands of Mars have settled following a forceful storm, the sky is a healthy red, the Sun bearing down on the rocky mesa's of the Martian landscape. One certain mound of sand is disturbed by the twitching movements of a man laying prone, waking from unconsciousness. His orange-and-white space-suit is both punctured and sealed by a small piece of debris shallowly embedded in his stomach. The debris, leftover from a destroyed long-range communications satellite, is not the only problem the astronaut Mark Watney (Matt Damon) now has to face as he scans the nearby arid landscape. Close by is the habitat Mark and his team have occupied on the planet for the eighteen days preceding the storm and the remains of the launch pad of the team's only rocket back home, which has long since departed with Mark's colleagues believing him dead. Alone on Mars with no communications and limited food, Watney resolves to sustain himself, to communicate, to survive, or as he puts it to "science the shit outta this."

The Martian, Ridley Scott's latest, distances itself from the last decade of epics from the prolific director (Robin Hood, Prometheus, Exodus: Gods and Kings and Kingdom of Heaven) and also, perhaps especially so, from the recent survival dramas of Everest, All Is Lost, Interstellar and the powerhouse Gravity, most notably through the solid writing from Drew Goddard (Cabin in the Woods, World War Z, Cloverfield, Daredevil). Goddard's writing of the characters in the Martian is a blend of Aaron Sorkin's jargon-fuelled relentlessness and Joss Whedon's comical perfection and wit, which has a wonderful effect on the film's tone. Unlike Gravity's direct minimalism, Everest's biopic cliches and Interstellar's cold, Doctor-Who-eyness, The Martian thankfully manages to keep a keen sense of humour to balance out the drama and despair. And this is sold by an ensemble cast of both dramatic actors and practiced comedians including Damon and Jessica Chastain of Interstellar, Benedict Wong of Prometheus, and Kate Mara, Michael Pena, Sebastian Stan, Jeff Daniels, Donald Glover, Kirsten Wiig and Sean Bean (who delivers a silly and charming Lord of the Rings gag).

                        "Every human being has a basic instinct: to help each other out."

Visually, The Martian is pretty, even with it's occasionally questionable computer effects and over-use of Go-Pro footage. The production design is obviously (and smartly) adapted from Prometheus and at times the score the soaring French horns of that score threaten to burst onto the soundscape here. The obligatory Chinese pandering scenes of The Martian are perhaps even more contrived than those in Trans4mers, and even the Chinese Space Agency exterior is the same as the Chinese corporate headquarters in Age of Extinction. But in summation, The Martian is a sci-fi survival story that is slightly more fun than it is tense, but with a strong ensemble, capable lead, balanced writing and solid production. It all comes together to make NASA's perfectl, pretty and impeccably fashioned geek army and the film's two-and-a-half-hour run-time downright fun.

Fantastic Four

I think we can all be in agreement now that a Fantastic Four movie will never work. This is the fourth attempt (you think the symbolism of that number would be lucky) and it just didn't work on any level. Even director Josh Trank doesn't like it.

In 1997, new childhood friends Reed Richards (Owen Judge) and Ben Grimm (Evan Hannemann) work on Reed's teleporter. Seven years later, Reed (Miles Teller) and Ben (Jamie Bell) present their science project to their science teacher to a lukewarm reception. They do get the attention of Dr Franklin Storm (Reg E. Cathey) and his daughter Sue (Kate Mara), who are working on the same project: interdimensional travel. They bring Reed to work on their project with the help of Franklin's renegade son Johnny (Michael B. Jordan) and reclusive scientist Victor Von Doom (Toby Kebbell). Once they complete the project, Reed, Ben, Johnny and Victor recklessly use the machine to go to the other dimension, where an accident occurs leaving Victor for dead and the other three with their respective powers. Sue gets hers when trying to bring them back.

What I have just told you is more than half the movie. If you think that that is spoiler-y, let me tell you, there is nothing to ruin about this movie. The climax of this movie happened so suddenly and so soon, that I turned to my friend and said "I think it's finishing". That's because this movie has a big problem with time. Both the shortness of the film itself (it's only 99 minutes) and what it does with that run time. It is about an hour of build up to when the characters get their powers, barely any time to develop the characters, first appearance of the villain (surprise it's Doctor Doom) and then death of main villain. All up I think there are two major action sequences and they don't last very long.

Despite the lack of character and action, the design of the film is pretty nice to look at. All four have a great design in their post accident bodies, but particularly that of Ben Grimm. In the last movies, he was just Michael Chiklis in a rubber suit, so making the character CGI is a big improvement. Also Doctor Doom's design is pretty cool (he has been fused with his spacesuit). While we're on the subject of Doctor Doom, why do all the film iterations try to give him the same origin of powers as the others. He's a witch doctor from Latveria (although they do make an attempt to hint at that).

The actors in this movie don't really get time to develop much of a character at all. Miles Teller disappears for a large chunk of the film, Kate Mara acts rather moody and Michael B. Jordan tries hard (but I feel his best stuff probably ended up on the cutting room floor). Pre transformation Jamie Bell is quite good, but then his performance is lost in the CGI. Toby Kebbell is the same, as he usually gives quite nuanced performances. Reg E. Cathey however will never live up to his character of Martin Querns on Oz though.

Basically just a tease at what could have been a rich exploration into what might have been, Fantastic Four falls dramatically short of any semblance of a good superhero movie.

Transcendence

Sometimes there is a concept for a film that is full of potential. The idea of the technological singularity is one such concept. The singularity is a point in which artificial intelligence surpasses that of humans. Transcendence starts on that path but then gets confusing and not even great acting from actors playing minor parts can help this lacklustre story.

I think that has to do with first time director Wally Pfister. Despite not knowing his name, I'm sure that the majority of you reading this are familiar with his work. Pfister has worked for many years as Christopher Nolan as his cinematographer on the recent Batman films among others. As a result of this work, Transcendence is a good looking film. He has been able to take his own visual style and enforce it as a director.

It can't be the actors that drag this film down either. Surely? Johnny Depp playing a straight Johnny Depp character. Rebecca Hall undecided about whether or not what is happening is the right thing. The best performances come from Paul Bettany and Kate Mara.

But even someone who has been on enough sets with a director like Nolan must have learned enough lessons about being a director. So it must be the story. This is the first script that has been produced for writer Jack Paglan. As I said, the initial concept is promising. The idea of a man uploading his consciousness to a computer, where he will cause the technological singularity is cool, but once the story became about creating human-robot hybrids I was lost.

The film is bookended by some interesting scenes where the world is devoid of technology. I feel like this would be a more interesting place to set the film with flashbacks showing us what caused it.

Verdict: A beautiful looking film that has a complete mess of a story. I think everyone in the cinema with me felt confused about what had happened.