Warning – Whilst the minor details discussed here wouldn’t typically be considered *spoilers*, I know some people want to go into this film with as little information as possible. If you want spoiler-free, check out Jack's official review. You have been warned!
The truth is, I’m not a Star Wars fan.
Now before you rage-mash your keyboard into a galaxy far, far away let me clarify; I enjoy jumping into the world of the three Star Wars movies just as much as any casual observer, but given the fascinating obsessiveness of the legion of Star Wars fans, I simply don’t consider myself worthy to be classified among their ranks. So what did I – the casual observer – think about Episode VII - The Force Awakens? I’ll tell you as soon as I stop grinning.
It’s probably best to address those movies that shall not be named right now. I was about the right age when the Prequel Trilogy started to come out - and I had enjoyed the previous ones - but looking back, these films were the reason why I lost interest in Star Wars. Quite apart from the story concerns that more avid viewers so frequently chastise them with; as a general film lover, my criticisms rest with the fact that they’re so blatantly boring and contrived that I find it difficult to sit through even one of them nowadays. The poor CGI and lack-of-hindsight toward shooting a blockbuster solely on digital at such an early stage in its lifecycle also frustrate me – but the visuals are but part of the problem, so let’s just continue to ignore those films for the time being.
The Force Awakens is another brilliant lesson from J.J Abrams in how to capture the essence of a classic franchise whilst still selectively updating it for modern audiences. From the cheesy transition effects to the myriad of landscapes – J.J has built a time-capsule that will find the most uninitiated viewer fanboying out over even the most subtle nods to the original films. The reintroduction of old characters, ships, worlds and ideologies is handled with the utmost of care and with an emphasis on fun – and boy is this movie fun! From Stormtroopers backing away from Kylo Ren’s temper-tantrums to Han Solo’s greatly-missed running commentary on the ridiculousness of the situation, The Force Awakens puts as much emphasis on humour as it does adventure, with the two intermingling and playing off each other to form what I’d consider the first quality Space Opera since The Fifth Element. I’m also SO thankful that Abrams ditched the obsession with CGI for a focus on practical effects, another major reason that The Force Awakens really feels like it belongs alongside the original trilogy.
To be fair, the movie does have its flaws. Parts of the story are occasionally rushed through with moments of blatant exposition - particularly during a conversation between Solo & Leia – and in general it feels like they’re trying to cover too much of the thirty years’ worth of changing content, but conflictingly that gracefully-choppy feeling actually brings it more in line with the style of the original trilogy anyway. Supreme Leader Snoke feels slightly out of place in the series as an actual character and whilst he & Nyong’o’s motion-capture is superbly acted out, their heavily CG’d characters stand-out like a sore thumb in a world that feels so real. There’s also not much room for a quick breather in over two hours of action and dramatics, but that’s never hurt the series before and it’s safe to say that the film is utterly exhilarating from start to finish.
The returning characters grace the screen with ease, as if they’ve actually been off living their own lives these past few decades – something which is extremely difficult to achieve when reanimating a franchise. The old characters perfectly bolster the new, training them up to deal with the threats of the galaxy and preparing the next generation of crusaders. These new characters really do feel like they deserve to take the baton and carry the series to wherever Disney decides to take it. John Boyega’s Finn is funny and instantly charismatic - you do really hope he finds whatever redemption he’s looking for. Adam Driver returns a sinister arrogance to the dark side through Kylo Ren with just a dash of delightful innocence to keep you interested. Issac’s Poe is as cool as he is stylish with his trusty side-kick (and the cutest character since the Ewoks) BB-8. Make no mistake however, Rey is the cone that holds this film together. An extremely capable and thought-out character who’s no doubt destined for great things, just like her actor, Daisy Ridley; who plays her to perfection – Is it weird that I fanboyed more over the fact that she’s related to Dad’s Army’s Arnold Ridley rather than that she’s in a Star Wars film?
Watching The Force Awakens exudes the same emotions that audiences must have felt watching A New Hope back in ’77. The care taken and consideration for every detail is evident from the opening crawl. Abrams has breathed new life into the dormant series and hopefully Rian Johnson will have as much success with Episode VIII. This isn’t just a tacky opportunity to relive what was lost and revel in nostalgia. The Force Awakens will make you care about Star Wars again.
