Classic Movie Review: Beavis and Butt-Head Do America (1996)

I was always a bigger fan of Beavis and Butt-Head's spin-off series Daria than the show this movie was based on. That is until I saw the movie that Mike Judge put them in when I was a teenager. Now I know what you're thinking, that this is a movie only teenagers will like, but that's not so. After revisiting it for the twentieth anniversary of it's release, Beavis and Butt-Head Do America is just as funny as it was then and it's still funny now that I am an adult.

Beavis and Butt-Head (Mike Judge) wake up one afternoon to find that their TV has been stolen. After looking around town for it, or a new one, they stumble across Muddy (Bruce Willis), a drunken thief who mistakes them for hitmen sent by an associate. Muddy wants them to travel to Las Vegas to murder his wife and retrieve a package from her. But the horny teenagers get confused and think he wants them to have sex with her instead. When they get there, however, Dallas (Demi Moore) decides to use them to her own end and have them transport a biological weapon to Washington DC. Of course this is unknown to the two boys and they are oblivious to the fact that ATF Agent Flemming (Robert Stack) has placed them on a most wanted list.

I'll admit that the jokes may seem juvenile, but they are still pretty funny. Agent Flemming's obsession with cavity searches for anyone and everyone regardless of their innocence ("Don't stop till you reach the back of their teeth") is hilarious. Especially since each order is given with the utmost seriousness. Beavis' poor reaction to sugar resulting in him turning into The Great Cornholio still works every time, despite the inherent silliness of the gag. And of course, who cannot like the pseudo-music video of The Red Hot Chili Peppers being turned into Las Vegas lounge singers doing their version of 'Love Rollercoaster'.

The main attraction of this movie for me is the amount of celebrity voices that the movie contains. Bruce Willis and Demi Moore do a fantastic job as the backstabbing husband and wife thief duo and Cloris Leachman) is hilarious as the old lady who thinks that Beavis and Butt-Head are just the sweetest things she has ever met. Greg Kinnear is fantastic as Flemming's offsider Agent Bork who is always to please his boss with the correct grammar. Cameos from Boyhood director Richard Linklater as a tour bus driver and David Letterman as Butt-Head's dad are small but perfect.

Right from the outset you know this movie is going to be different from other stoner comedies. Whether it's the two main characters destroying a city in their dreams or the opening titles being a homage to 70s cop shows, you never know what this one is going to throw at you, but whatever it is, you know you'll have a good time.

Scouts Guide to the Zombie Apocalypse

One thing we’ve definitely not been short of over the past decade are comedy zombie movies, with Shaun of the Dead, Juan of the Dead, Warm Bodies and of course Zombieland just a few of the films goring-up the silver-screen. Now the man who wrote Paranormal Activity 3-5, Christopher Landon, has had a go at writing something original, Scouts Guide to the Zombie Apocalypse. 

Scouts Guide begins with a quick origin/context story for the inevitable virus that will destroy all mankind, with a cameo from Blake Anderson as a twerking janitor. Understandably, it’s pretty much all down-hill from here. High-school sophomores and long-time scouts Ben (Tye Sheridan), Carter (Logan Miller) and Augie (Joey Morgan) are out with their Scout Leader Rogers (David Koechner) trying to recruit new members, with little success. Ben and Carter want to quit scouts because they think it’s lame, but don’t want to hurt the feelings of their friend Augie. Whilst discussing the situation, Ben accidentally hits a rogue deer. Carter’s sister Kendall (Halston Sage) and her friends are able to help them, much to the pleasure of drooling Ben who is in love with Kendall. 

They’re invited to a party that Kendall and her friends are attending, a party that is sure to be the best night of their lives. However as they’re talking the supposedly-dead deer somehow vanishes, but they think nothing of it. Trying to buy beer for the party, they get help from the cocktail waitress of the nearby strip-club, Denise (Sarah Dumont). After meeting Augie in the woods for a scout ritual and then sneaking off to go to the party, Ben and Carter find the town deserted, until they run into a sticky situation with some zombies. Facing certain zombification, the two are saved by Denise who of course has a shotgun. Though the “best night of their lives” has just begun.

You get what’s coming to you by knowingly going to see this film. Having watched the trailer, seen the reviews and reading about how it’s bombed all over the place, it’s no surprise we were the only ones in the cinema. You’d assume that this was going to be designed as a B-movie, but instead then went for shock-factor teenage comedy, and whilst you can see what they’re trying to achieve it really doesn’t live up to the genre. The odd tent-pole scenes of hilarious gore and unapologetic immature comedy are fleshed out with weak plot development and try-hard dramatic scenes. 

This really is a film for 15 year old boys who want to experience the blood, boobs and naughty-words of the MA-15+ rating (non-Australians just scale to your mid-pubescent rating). If you want to a watch a scout clang to a rotting penis like a painfully stretchy bungee cord to save himself from death by trampolining zombies, or if you like the idea of weed-whackers and pressurised door-knob guns (not the only knobs in this movie) used to pulverise heads, then this might be the movie for you. If you thought films like This is the End and Unfinished Business were funny then you might like this, but otherwise it’s just a less-intuitive rip-off of Zombieland with comical-gore taken to the extreme. 

You’ve gotta hand it to Christopher Landon for at least trying to pander to his chosen audience, and for the most part Scouts Guide to the Zombie Apocalypse was better than I thought it would be. It does have some awkwardly funny moments, but they’re packed between a slow story, weak dialogue, stupid scenarios and unlikable characters.