Showing posts with label Ben Schnetzer. Show all posts
Showing posts with label Ben Schnetzer. Show all posts

Thursday, 29 September 2016

Snowden

At the beginning of last year, I reviewed the documentary Citizenfour, which was a blow-by-blow story of Edward Snowden that was made by filmmaker Laura Poitras, who was one of the people Snowden contacted to tell his story right. That film was a masterpiece and when I heard that there was a biopic being made about Snowden, I dismissed it straight away, believing that it would not be able to convey the weight of what he did. But after watching it, I realised that the point wasn't to show people what he had done, but rather to humanise him in the eyes of a public who still vilify him as a traitor.

Edward Snowden (Joseph Gordon-Levitt) is a bright eyed young special forces recruit who is hopeful for a career in the military, but after he breaks both legs, he is discharged and looks for a new way to serve his country. He soon comes upon an opportunity in working for the CIA as an intelligence analyst after going through rigorous training under Corbin O'Brien (Rhys Ifans). His various jobs soon take him around the world and he learns that the NSA has a program that allows them to gather information from everyone in the world. Knowing this makes Snowden increasingly paranoid to the point where he clashes with his girlfriend Lindsay (Shailene Woodley) because he wants to protect her. Soon his conscience gets the better of him and he decides to expose the truth to a handful of journalists including Glenn Greenwald (Zachary Quinto).

Oliver Stone is definitely someone who knows how to make a movie that will appeal to a lot of people, which is something that Citizenfour may have been lacking. While it doesn't go into a great amount of detail about what Snowden leaked, it gives a general overview of what the US government was doing (and still is). This works to the films benefit because any in depth analysis would leave audiences confused. Stone's style of over the top filmmaking draws you into the film and makes you feel a lot of empathy for the characters. This is good because the point of the film is to humanise Snowden. A lot of the media around him portrays him as a cold traitor who has no acknowledgement of the danger he caused with his leak. That couldn't be further from the truth and Stone attempts to show that he is really a patriot who was looking out for his fellow citizens. While the majority of performances are good and exactly what you'd expect from a movie this size, the surprising parts come from the cameos that a director like Oliver Stone can get. Timothy Olyphant, Logan Marshall-Green and Nicolas Cage all pop in small roles. The Nicolas Cage cameo is quite surprising because he's the last person you'd expect to see in this film.


Some of the problems I have with this film have to do with the fact that some of the events of the film have been documented in Citizenfour, yet they are shown differently in this film. Snowden's communication with Poitras is rushed and limited to a single email, whereas in reality the communication took place over many months and only after he failed to contact Glenn Greenwald through a secure means. That's a small thing that was jarring for me and I'm sure would effect others who have seen both. Stone also drags the film out by added smaller details (that go into humanising Snowden) which seem irrelevant. Snowden's diagnosis of epilepsy and his relationship problems really slow the film down in some key parts of the film. Also there is too little time devoted to the time he spent in Hong Kong (probably the most important part of the story). The inclusion of the real Snowden at the end of the film also throws some doubt onto JGL's portrayal of him. In his last couple of films JGL has been making some strange vocal choices and after being able to compare his voice to that of Snowden, you can hear the definite difference.

I had thought that Snowden would present the story in an ambiguous way, leaving you to make up your own mind on whether or not he had done the right thing. But now after seeing the film it's clear that Stone has made it in line with his own left-wing leanings. I'm not saying that his own politics had any input on whether the film is good or not. He has made a film that may not stand the test of time, but for time we live in it's a very good movie.

Saturday, 1 November 2014

Pride

It's been a long time since I've seen an ensemble piece with a perfect cast, but that's exactly what I found in Matthew Warchus's fantastically enjoyable LGBT feature Pride.

During the height of Margaret Thatcher's term and the 1984 Miner's strike, Mark (Ben Schnetzer) and his friends at the 'Gay's the Word' bookshop recognise similarities in their struggle for LGBT rights and the struggle of the Miners, so they decide to form a fund-raising group, Lesbians & Gays Support Miners (LGSM). After contacting various Miner's groups with little success, LGSM decides to work directly with a Welsh mining town, with a council representative, Dai (Paddy Considine) coming up to meet them in London with plenty of enthusiasm.

When the group drive down to the town in South Wales, they are met by sceptical residents that are driven by homophobic preconceptions. Though soon enough - with the support of local mother Sian (Jessica Gunning), and council members Hefina (Imelda Staunton) & Cliff (Bill Nighy) - the majority of the town show their support. It's really quite a wonderful story.

Based on true events, Pride manages to be both wonderfully amusing and sincerely real at the same time, but not in a particularly confronting manner. It's the British equivalent of Priscilla, just not quite as flamboyant. At times it does become overly-sentimental, but these moments are few and far between, and are outnumbered by the many great scenes that tell this enthralling story. Though the true reason that it manages to come to fruition so effortlessly on screen, lies in the superb performances from, not just a few, but all the cast.

Pride has at least twelve leading roles, as well as numerous supporting characters, and it's difficult to find a fault in any of them. There are definitely some standouts, namely the hilarious Imelda Staunton (she is one of my favourite, and yet quite underrated British actors), the young George MacKay as Joe, Bill Nighy (because he's Bill Nighy), and Dominic West as Jonathan, in possibly his best role since The Wire. But overall, this is a real team effort and a fantastic job by casting. It's great to see a good ensemble piece and the story of LGSM just screams for a united cast with plenty of shared screen time. 
 
Pride is not only heartwarming, but it's enourmously funny, and manages to be so without being condescending or degrading...apart from perhaps to homophobes. It's an absolute joy to behold.



 
Jasper Roberts Consulting - Widget