Tuesday, 31 May 2016

The Nice Guys

Shane Black's neo-noir buddy cop comedy The Nice Guys features good writing, solid acting and as much of a 70s retro vibe as you can handle. With undeniable chemistry between the two leads, this movie is full of quick comments and smart banter alongside great directional and aesthetic style, however it is still far from a perfect flick, with a sometimes messy story and a vibe of wasted potential.

Private investigator Holland March (Ryan Gosling) and enforcer and all-round badass Jackson Healy (Russell Crowe) find themselves buddied up through unlikely circumstances in an investigation for a missing young woman, Amelia (Margaret Qualley). Set in Los Angeles in the 1970s, an overarching conspiracy is revealed, reaching both into the prominent pornographic industry of the time as well as into the happenings of higher powers in the city.

This movie is undoubtedly carried by the chemistry between Crowe and Gosling in their lead roles, as any buddy comedy movie should be. The synergy between the two has allowed for smart writing and witty dialogue to translate well on to the screen, through their improbable pairing in a dire situation. Gosling's Holland March is a lazy, unsuccessful and usually drunk private eye, struggling to make a living with his young daughter Holly, played by Angourie Rice (who is just as impressive in this movie as Gosling and Crowe), and on the flipside, Crowe's Jackson Healy is professional, competent and in control as a hired enforcer, creating a compelling and interesting pairing in a genre defined by character synergy. Despite the heavy use of banter in dialogue between the two, some of their ventures feel quiet and uninspired, creating gaps between moments of enjoyment in the viewing experience. At the same time, while the dialogue is smart and creative, the movie's comedic value does not extend much further than this, and never really prompts more than a slight chuckle from its audience.

Black attempts to revive the buddy cop genre in The Nice Guys with a modern narrative which is more complicated and contains twists and turns which come unexpected in its telling. The vast involvement of the porn industry creates an interesting and enjoyable dynamic and provides plenty of room for the comedy of the film, however at times feels misguided and underutilized. While the story is mostly compelling and interesting, some of its complications feel forced or unexplained at times, leaving both the story direction and audience lost at certain times of the movie. This is not to say Black fails in his role as a writer-director, as the directional style of the film is as commendable as the performances of Crowe and Gosling. The movie's action sequences are well-choreographed and believable, while also effectively integrating physical comedy into character movements. The retro style of aesthetics creates a visually pleasing film, with colourful suits and nice cars as far as the eye can see, successfully pulling of the attempted 70s throwback the film aims for.

While this film sometimes loses its way, you can still expect to come out of a viewing entertained in some way or another, whether it be by the smart dialogue and chemistry of Crowe and Gosling, the pleasing directional and artistic styles, or the complicated crime story itself. Despite attempting to convey too many different themes and genres, and sometimes feeling messy and uninspired, this film is still worth a watch if you enjoy comedy, crime, Russell Crowe, Ryan Gosling, Shane Black, the 70s, or porn.


Sunday, 29 May 2016

Trailers Week 99: 29/06/16

Beauty and the Beast
I just want to see how they're going to pull off a talking candlestick and clock.


Weiner-Dog
A comedy about one dog that changes the lives of a variety of people. But not in a feel good way.


Don't Think Twice
Whereas this is a comedy about people doing comedy and they hope to feel good after.


Deepwater Horizon
Please tell me that this oil rig turns out to be a transformer and Mark Wahlberg saves the day again.


Free State of Jones
Because nothing makes us think of equality and freedom more than a Southern Matthew McConaughey.


The Infiltrator
I never thought we'd see Bryan Cranston on this side of the drug trade.


Morgan
This just looks creepy. I mean no wonder those bio-engineered kids have such a scary reputation.


Sing
Now let's all be uncreeped as we watch animated animals sing pop songs.


The Space Between Us
And finally this week, we learn that love beats all forces on Earth, even gravity.

Wednesday, 25 May 2016

X-Men: Apocalypse

I really enjoyed the last X-Men movie. The decision to go back and explore different stories with younger versions of the characters has ultimately paid off, but even by their own admission, the third movie is never as good. That last statement is a bit of a lie. While Apocalypse may not be a high point in the series, it's still a pretty awesome movie.

In a pretty exhilarating introduction in ancient Egypt, we see all-powerful mutant Apocalypse (Oscar Isaac) get buried under a collapsed pyramid. In 1983, CIA agent Moira McTaggert (Rose Byrne) witnesses his reawakening at the hands of a cult. Meanwhile in Poland, Magneto (Michael Fassbender) is living a quiet life with his wife and daughter until the townspeople discover what he is. Elsewhere, Mystique (Jennifer Lawrence) is off looking for mutants and comes across Nightcrawler (Kodi Smit-McPhee), whom she decides to take back to Charles Xavier (James McAvoy). It's at this point that Apocalypse reveals himself to the world with his plan to destroy everyone so he can start the world afresh.

Okay, so after writing out that plot it does sound like the movie doesn't have a lot going on for it. The plot of the movie does take a bit of a back seat, but don't worry, it's not sacrificed for the sake of action. Rather the focus of this movie is character development. Although the majority of characters who we've seen before have already been established, we do get a better insight into their personalities. For example, the psyche of Magneto is explored and we can further see how he is torn between being good and bad. The new characters who are introduced are also given similar inner conflicts. Jean Grey (played by Sophie Turner) is shown to have an immense inner power that she is unable to control. This ties in nicely with the future we saw in X-Men: The Last Stand. 


The performances from the series regulars were solid as usual. The newbies however gave mixed performances. Kodi Smit-McPhee was a standout. He gave Nightcrawler the right amount of a comedic edge that helped lighten the dark mood throughout the film. That complemented the laughs given by Even Peters as Quicksilver well. Sophie Turner, Alexandra Shipp and Tye Sheridan came out okay, but they still need some more time to find their footing, which is okay with a franchise like this as they have plenty of time to do that. I was really disappointed with Oscar Isaac's performance because he is my favourite actor and he was misused so much in this film. I think it primarily had to do with the fact that the character of Apocalypse wasn't all that menacing for me and none of the power that he supposedly had came through.

I know it seems like I'm skirting around whether or not to say this movie is good or bad, but I have to commit to something. I guess I thought it was a little bit better than average, but the lacking plot and Superman level of destruction in the action sequence at the end dragged it down.

Sunday, 22 May 2016

Trailers Week 98: 22/05/16

Popstar: Never Stop Never Stopping
Andy Samberg's parody of a popstar's high life and their complete disconnection with society looks funny every time I see it.


Ghostbusters
On the other hand, this movie from some other SNL alumni looks less promising with each trailer.


Teenage Mutant Ninja Turtles: Out of the Shadows
Meanwhile, elsewhere in New York, this is happening.


Nine Lives
Or the objective horror of Kevin Spacey being turned into a cat apparently. Crazy stuff happens in the Big Apple.


The Purge: Election Year
Well at least in New York you're not going to get hunted down by murderous gangs. We'll leave that for Washington DC. You're probably better off in another country at this stage.


Septembers of Shiraz
Okay, so other countries are just as dangerous and scary. What about space? Surely nothing bad ever happens out there.


Star Trek Beyond
I'm just going to be honest with you right now, it doesn't look like you'll be safe anywhere.


The BFG
Or maybe you will if you're friends with a big friendly giant.

Monday, 16 May 2016

Bastille Day

As far as action movies go I tend to steer clear, not because I'm a snob who's above people beating each other up, but because I think that all the good action movies have already been made and the majority of ones coming out these days can't keep up with the movies of my youth. So when I have to go review these movies, I don't go with high expectations. Obviously I can be surprised, just like how I was with Bastille Day.

On the eve of the important French national holiday, American pickpocket Michael Mason (Richard Madden) steals a bag belonging to French bomb mule Zoe (Charlotte Le Bon), but after finding nothing of interest, he throws it in the trash. Soon after, the terrorists set off the bomb and Michael becomes the main suspect in a manhunt by the French police. But CIA agent Briar (Idris Elba) has also been assigned to bring Michael in to find what he knows. As soon as Michael finds out what he has been accused of, he sets out to clear his name.

On closer inspection, Bastille Day is a pretty current portrayal of what is going on in Europe, from the rapid rise of far right political groups clashing with with left wing protest groups, as well as the influx of asylum seekers. Of course, this isn't the main focus of the movie and only plays out in the background, along with the apparent reliance on social media everyone apart from the main characters seem to have. The plot is pretty fun and moves along at a great pace. I saw the plot of the bad guys coming a mile away, but of course anyone who has seen the original Die Hard will as well. In terms of the action, there were two memorable set pieces for me. Early on Richard Madden and Idris Elba engage in a thrilling rooftop chase where the stakes are pretty high, especially if you're afraid of heights like I am. The other one come in the back of a van, where the fight is choreographed around the movements of it.

Despite being a Hollywood movie, the film has cast no American actors which was a choice that I found very noticeable. Richard Madden (Robb Stark from Game of Thrones) was at times slightly annoying as the helpless Michael. I thought that his character would at least be a bit more assertive with the decisions he makes. Idris Elba stands out as someone not to mess with. If anything this is his audition for James Bond, much in the same way Layer Cake was for Daniel Craig. He has many more action scenes than I've seen him do before. Charlotte Le Bon doesn't really have much of a screen presence and when she is on the screen she just looks worried or scared. Kelly Reilly is absolutely wasted in this movie, relegated to a role where she just has to explain what is going on to Idris Elba. JosĆ© Garcia is a pretty menacing bad guy and I would have liked to see him have a bigger part.


Bastille Day is on the whole a better than average action movie and I did have a lot of fun watching it. It isn't something worth running out to see right this instant, but it should be high on your list.

Sunday, 15 May 2016

Trailers Week 97: 15/05/16

The Phenom
Despite the fact that I'm not that into baseball, who can resist watching a psychotic Ethan Hawke rambling about greatness.


The Accountant
There's something about a trailer with a rhythm that gets me excited for the movie. This looks like a good time for Ben Affleck to shine as a proper actor.


The Light Between Oceans
Alicia Vikander commits a high level unknowing kidnap while living in that lighthouse.


Billy Lynn's Long Halftime Walk
Ang Lee directs this post-war drama starring Vin Diesel as a soldier and Steve Martin being serious. Such a strange mix of talents makes this look very intriguing.


Nerve
I mean doesn't this already exist? We call it YouTube. Except people aren't getting paid for it. Yet. Doesn't seem too farfetched now that I think about it.


Indignation
This college kid did something. I'm not writing that because I was bored by the trailer and wasn't paying attention, it's seriously all it tells us.


Inferno
Well Ron Howard, consider me officially teased. The latest movie based on a Dan Brown book probably won't be as shocking as The Da Vinci Code, but it'll definitely be exiting.


Assassin's Creed
Mikey Fass appears in a much anticipated video game adaptation. I think it's a good move to set it in the world of the game, while not exactly following a set story that people already know.


Hell or High Water
Ben Foster and Chris Pine decide to go bank robbin'.


Don't Breathe
Or just don't steal from old blind guys because they'll pull some next level shit on you.


Into The Forest
Evan Rachel Wood and Ellen Page obviously never learned that living in the woods also means that you're living in a horror movie.

Thursday, 12 May 2016

Florence Foster Jenkins

British director Stephen Frears is well known for his heavily dramatic movies like The Queen and Philomena. Even the comedies he has directed tend to be on the heavier side. Because of that inclination, a conventional comedy like Florence Foster Jenkins seems like an odd choice for him. Combine that with the fact that the story isn't that interesting, makes it an even more confusing choice.

In 1944 New York, Florence Foster Jenkins (Meryl Streep) and her husband St. Clair Bayfield (Hugh Grant) are patrons of the music scene in the city, putting on many concerts at The Verdi Club, a concert hall that they founded. Florence decides soon that she wants to put on a concert of her own to display to the public her singing skills. St. Clair hires pianist CosmƩ McMoon (Simon Helberg) to accompany her, but he soon discovers that she is an awful singer. Despite this, Florence wants to play Carnegie Hall, a dream she has had since she was a child.

It seems odd that this story has been made as a comedy (well I thought it was one) because it's quite a sad story. It almost seems as though we are making fun of Florence because she was completely unaware of her terrible singing voice. The jokes also don't come from the fact that she has a terrible voice, but rather the reactions from people who are hearing her for the first time. The first joke that I did find funny was the tension that was built up when we hear Florence sing for the first time, being interrupted by this or that. I feel like the decision to make this movie was based very heavily on the fact that a French film called Marguerite was made last year and their needed to be an English language version of the story made. Again, I have no idea why, it's not a very interesting story.

Method actor Meryl Streep has gone a bit overboard here. Since she is well known for immersing herself entirely in her roles, Streep has done the same here but to no real effect. In her portrayal of Florence, she just becomes bland because the character has no room to be interested, thus boxing Streep in. Luckily, the other performances are a tad more engaging. Hugh Grant has aged very quickly I've noticed. One day he was young and now he just looks a lot older. And it really helps him in this movie as he's playing a more sedate mature character. He works really well as the emotional core of the movie. Simon Helberg is pretty funny as CosmƩ and shows a real departure from other characters he has played. Rebecca Ferguson appears as St. Clair's girlfriend, but way too briefly for my liking.

Florence Foster Jenkins is an unexpected movie. Not in a way that you're surprised at how good it is or how funny it is. The feeling is more one of "Oh, I didn't expect that."


Sunday, 8 May 2016

Trailers Week 96: 08/06/16

Urge
Pierce Brosnan is just the type who would sell you a drug that you can only take once, but then give you more than one dose each.


The Shallows
Shark movies always terrify me, whether it's Jaws or Deep Blue Sea, now there's a shark movie for a new generation. I just want to know why movie sharks always target one person.


No Stranger Than Love
Hey look, it's a Dr Seuss movie for adults. Well at least it sounds like one and I'm pretty sure no holes open up like this in real life.


Bad Moms (NSFW)
I'm not sure who this movie is targeting. I'm pretty sure women with kids wouldn't really want to see this, despite the fact they probably do have these fantasies.


Fathers and Daughters
I think it should really be called father and daughter, because there's only one of each.


The Nice Guys
If you watch this right after the last trailer, you know what happened to Russell Crowe. Even the pinky promise makes a reappearance.


Now You See Me 2
I don't believe for a second that anyone would find Daniel Radcliffe intimidating. Oh yeah, and Dave Franco's got some impressive card throwing skills.

Friday, 6 May 2016

Bad Neighbours 2

A logical sequel to the original, Bad Neighbours 2 looks to spice up its comedy classification with touches of feminist commentary and character development (for those returning from Bad Neighbours). Despite not fully achieving this attempted depth, the film feels comfortable enough as a comedy and as a sequel, while still bringing something new to the table.

Bad Neighbours 2 sees Mac (Seth Rogen) and Kelly (Rose Byrne) attempting to sell their family home a few years after the events of the first movie, when a sorority led by the likeable Shelby (Chloƫ Grace Moretz) moves into the old frat house next door. Teddy (Zac Efron), who seems to be stuck in the past while his old frat brothers pass him by, floats between both sides amidst a "quarter-life crisis" to create a more dynamic plot, while the Kappa Nu sorority attempts to work outside the normal parameters of frat and sorority life and empower their members.

It's apparent from the start that the film is attempting to mirror the successes of the original while still differing enough to not be seen as a carbon copy, and although the writers weave in moments of uniqueness and difference, the overall plot remains much of the same. Despite the linear feeling to the plot for anyone who has seen the first film in the franchise, the back-and-forth between the sorority and the "old people" (as the sorority coined them) feels fresh enough, with new hijinks and disruption strategies spanning further than just the confines of their two houses. The comedy is as unpredictable and quirky as the first film's, with snazzy one-liners effectively catching the audience off guard multiple times and hilarious action sequences playing on the success of the physical comedy in the original. The film also effectively calls back prominent aspects from its predecessor without feeling forced, including Mac and Kelly's awful attempts at being intimate and the frat's notorious 'airbags' prank, as well as appearances from characters such as Lisa Kudrow's unorthodox Dean Carol and Dave Franco's 'grown-up' Pete Regazolli.

Despite being an overall pleasant comedy experience, the film does have a few discouraging qualities which perhaps take it out of the realm of 'quality filmmaking'. The film has some rather dull portions, with some dialogue feeling forced and cringe-worthy at times, as well as some unnecessary and over-the-top plot inclusions, leading to an unconvincing green screen and an unneeded (and repeated) minions cameo. The film's attempts at portraying more serious issues such as the empowering of women, the struggles of parenting and Teddy's post-college depression ultimately fall short, briefly touching on the issues and making them feel natural to the plot but failing to develop them to an effective extent.

Although sections of dialogue felt slightly forced and unnatural, acting was generally solid across the board, with each of the main cast impressing with their comedic quips and portrayal of character growth. The general production of the film seems sound as well, with director Nicholas Stoller returning with a similar style to the original to make the sequel feel recognizable and comfortable for viewers. The constant use of dynamic shots creates a live feeling to the viewing experience, with fitting uses of hyphy music adding to the party vibe of the film. 

Sequels to comedies are always difficult, and despite following a similar plot to the original, Bad Neighbours 2 still manages to surprise and entertain as it attempts to incorporate some freshness and depth into its hilarious story. Fans of the original will not be disappointed.


Sunday, 1 May 2016

Trailers Week 95: 01/05/16

Snowden
I had initially thought that Oliver Stone's telling of Edward Snowden's story was going to be a smear campaign against him, but after seeing this trailer I'm not sure. One thing I am certain about is that Joseph Gordon-Levitt can't really do different voices.


Florence Foster Jenkins
Another true story, but this one doesn't have the scary real world implications of Snowden. Just a woman who wanted to sing.


The Duel
If a crazy Woody Harrelson killed my dad, I don't think I'd be brave enough to go after him.


Cell
I really don't know why I didn't figure out that a movie called Cell would be about cellphones. I also didn't figure that one day they're going to turn us all into mindless zombies.


Approaching The Unknown
This is the step that The Martian missed out on, the whole 20 missions it took to get people to Mars without them dying.


X-Men: Apocalypse
One last look at X-Men shows us that we're in store for a lot destruction and a hint of Wolverine.


Tulip Fever
Being married to Christoph Waltz looks pretty terrifying. And what is it with all these period dramas that give painters some great womanising skill.


Captain Fantastic
A forest family comes to the urban world for the first time and is threatened to be torn apart.


Southside with You
A movie about Barack and Michelle Obama's first date. 'Nuff said.


The Nice Guys
I would totally be down with a whole a movie filmed in this style.

Jasper Roberts Consulting - Widget