Midnight Special

Unique American filmmaker Jeff Nichols has achieved critical success with his first three features Shotgun Stories, Take Shelter and Mud, none of which found similar triumphs at the box office. His latest feature, Midnight Special - starring Michael Shannon, Joel Edgerton, Kirsten Dunst and Adam Driver - is his most ambitious film to date, and with his largest budget thus far, so it has a lot to prove to audiences and critics alike.

Alton Meyer (Jaeden Lieberher) sits in the rear of a car with Roy (Michael Shannon) and state-trooper Lucas (Joel Edgerton) as they cruise through the night with no headlights, evading a state-wide manhunt issued by the AMBER alert system. Alton wears bright-blue goggles and can only be outside at night. He has some serious powers that nobody fully understands and has been the religious focus of a cult on the ranch that he was taken from. The FBI and the NSA are out on the search, with agent Sevier (Adam Driver) trying to gain as much information about the boy as quickly as possible. Nobody knows where they’re going, not even us. All we know if that it’s crucial to the future of the planet.

Right off the bat, it’s clear that Midnight Special is a surprisingly beautiful movie. Shot on film and harking back to some of the more minimalistic 70s and 80s sci-fi flicks, it doesn't present a hyper real world or a CGI riddled environment, but the level of thought behind every visual decision from DoP Adam Stone is obvious. With large sections of the film occurring at night, it’s these sequences that shine, and there’s certainly no pun intended there because half the time it’s literally impossible to see what’s going on. The action is just hinted at; the silhouette of a car travelling down the road with no headlights on, the thin sliver of light on the horizon. The night scenes show a degree of subtlety which is often left abandoned by sci-fi films for fancy special effects sequences. Sequences which ultimately destroy any sense of noiresque mystery that make films of this ilk so unique.

But you didn't come here to read about the visuals, and Midnight Special’s soundtrack is just as impressive. The immersive sound-scape manages a lot with the few action sequences at hand, and in quieter scenes the subtle layers of environment come alive. David Wingo’s intense score pulls you in and somehow manages to only become intrusive at a couple of moments. But Ed, what about the costuming? Well the decision to give Alton goggles was...alright alright, so I admit, I might have struggled a bit with Midnight Special’s story. An obvious homage to Close Encounters of the Third Kind, Midnight Special’s ambitious plot is mysterious, and often captivating but most of the time I just couldn't get enough information to really care about the characters or invest myself in the story.

Take the beginning for instance, through an intense opening montage we learn that a boy has been supposedly kidnapped from a ranch belonging to a religious cult, we know that Edgerton and Shannon’s characters are involved, and that’s about it. It’s clever and provides a set up that draws us in, but it continues like this for most of the film, with the little crucial details that keep us asking questions just not provided. It’s frustrating to say the least, especially since the film’s story clearly has some interesting things to say.

Before more is revealed, you’re forced to side with either a misguided cult or two men who have kidnapped a young boy, yet any presumptions you might make about either side are not backed up with anything indicative of what you might expect, which makes it difficult to decide who - if any of them - is doing the right thing. It’s also unclear exactly what Alton’s powers are - even when we see them in use - and how they relate to these theories about another dimension of beings. The third stakeholder in the story is the government, specifically the FBI and NSA, who are the clear antagonists. The NSA agent Sevier - an Edward Snowden-like figure who secretly helps Alton - is sort of like the comic relief, and well played by Adam Driver. In fact the film has great performances all round, especially from Michael Shannon and Jaeden Lieberher. Sadly though the performances can only convey so much.

Midnight Special is an expertly constructed film. It’s beautiful, well acted and has so much potential lying under the surface. However, whilst I’m normally one to favour the ambiguous plot-line, it consistently failed to reveal enough to keep me on the edge of my seat, or away from that all-too-telling watch glance.