Joy

David O. Russell is an interesting director with on-and-off successes, and has in particular been responsible for a lot of Oscars buzz over the past few years. So it comes as no surprise that his latest film, Joy has already worked its way onto prediction lists. 

Joy Mangano (Jennifer Lawrence) is a divorced mother whose ex-husband, Tony (Édgar Ramírez) lives in the basement, and whose mother, Terry (Virginia Madsen) spends the entirety of her day sitting in bed watching soap operas. Joy’s father, Rudy (Robert De Niro) owns a local mechanic shop, and whilst he’s been key in her inventive fruition over the years, he’s less than helpful when he moves back in with the rest of them. To call this family dysfunctional is an understatement. Despite juggling all these responsibilities, Joy comes up with a self-wringing mop invention and we follow her as she tries to get it funded and sold in a less-than-hospitable marketplace. 

Russell’s past films I Heart Huckabees and Silver Linings Playbook are personal favourites of mine, although I thought that on many levels American Hustle just didn’t work. So I had a decent idea what to hope for with Joy, namely quirkiness and character development before style. Unfortunately Joy still leans a little too heavily on the style for my liking, but more on that later. As the narrator states, this is a story about a ‘strong woman’, although if the aim is to avoid all the patriarchal bullsh*t that plagues so many female characters, perhaps it’s more constructive to consider Joy as an independent woman. Joy supports herself and all those around her, no matter how much they try to undermine her. When she invents the mop and looks for funding, she’s ultimately doing it to support her family. It’s an empowering story that is unfortunately wrapped in an unbelievable world and unlikely background characters. The latter of which is probably the film’s biggest problem. 

Joy is the centre of this film and proves to be another dominating performance from Lawrence; she’s caring and ambitious with enough vulnerability to stay interesting, however the people around her come off as caricatures. It feels like they’re placed in the story solely to pull Joy down and hence provide motivation for her to spring back from. Because of this, they all kinda clump together in an unbearable mass of failed character development. Robert De Niro is good, but Rudy doesn’t really emanate away from what could be considered a stock De Niro performance. Joy’s mother is a loner, hence becomes the butt of many jokes, her sister is just downright annoying and Cooper’s Neil isn’t nearly as fleshed out as he could have been. I also would have liked to see Mimi - probably the next most important character after Joy - become a bit more than just a mentor with a couple cheap lines, and whilst Trudy is a great character, she could have become more worthy of an Isabella Rossellini performance. Tony is one of the few characters you can actually connect with, a sincere support for Joy that doesn’t just turn into a ‘let-the-man-handle-this’ situation, but again he doesn’t really appear often enough to develop as a character. 

My other major issue with Joy is the sense that it’s been constructed as style for the sake of style. Through the costuming and set-design, Russell tries to create this pastiche tribute to the late 80s/early 90s, and whilst it’s not nearly as obnoxious as with American Hustle, it still feels little more than a hollow facade. Although I do think they did a great job recreating the boom of television shopping, helped along by a great sense of humour; and I must say Joy is a fantastically funny movie, which does help to alleviate the issues to some degree. I think the comparison to soap operas is an interesting move - although it possibly adds to the character development problems - and the cinematography is, at times quite beautiful. However I just wish they’d kept the camera still a bit more often! This film is full of ridiculous pans, dolly moves and jibs that do nothing other than draw attention to themselves and honestly spoilt some moments for me because they were just so unnecessary. 

Joy is a funny, at times touching, and ultimately very driven movie. Joy Mangano’s story is worth being told and Jennifer Lawrence nails the role. It’s a shame that it falters due to some directorial decisions and poor character considerations because this had the potential to be one of the best films of the year.